Wilkie Collins's The Woman in White: Providence Against the Evils of Propriety

The tendency persists to separate the artful storyteller in Collins from the less successful thesis novelist. Like Wells and, to a lesser degree, Lawrence, Collins developed too strong a sense of mission. Beginning with Man and Wife, his novels seem encumbered with social protest. Collins's “old-fashioned” opinions, especially the remark that the “primary object of a work of fiction should be to tell a story,” are frequently quoted to reduce the skilful storyteller to a mere entertainer. Storytelling in The Woman in White is, of course, superb; but for once the novelist of sensation and suspense utilized his narrative skills to advance an idea important to himself and of consequence nationally: his conviction that the worship of propriety had become, by 1870, one of the besetting evils of Victorian life. In The Woman in White, Collins combines his talent for melodrama with just enough of the social critic, even if the Victorian eventually upstages the dissident moralist: the way things happen, the novelist argues, is ultimately determined not by propriety, man's law, but by providence, which may by God's.