数字多模态构图中的色彩意义:大学生数字视频的描述性分析

Q3 Arts and Humanities Punctum International Journal of Semiotics Pub Date : 2019-01-01 DOI:10.18680/hss.2019.0006
I. Karasavvidis
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引用次数: 0

摘要

现代数字技术允许用户组成多模态合奏,结合听觉和视觉模式。视频编辑器允许用户通过效果来操纵视觉图像的颜色。虽然效果解锁了一层额外的符号学潜力,但实证研究并没有研究新手用户在创建数字工件时如何利用与颜色相关的效果来传达意义。本研究分析了一群参加数字媒体课程的本科生制作的46个数字视频。数码视频的研究显示,只有三分之一的视频项目涉及使用特效来改变原始图像和视频资源的颜色。对这些视频项目的进一步分析表明,与颜色相关的效果有三种主要模式:缺陷、不一致和一致。每个类别的两个视频项目进行了详细分析,检查学生如何利用效果的符号学潜力来操纵颜色。最后,对研究的主要发现和未来的研究方向进行了讨论。
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Color signification in digital multimodal compositions: A descriptive analysis of undergraduates’ digital videos
Modern digital technology allows users to compose multimodal ensembles that combine aural and visual modes. Video editors allow users to manipulate the color of visual imagery through effects. While effects unlock an extra layer of semiotic potential, empirical research has not examined how novice users utilize color-related effects to communicate meanings when creating digital artifacts. The present study analyzed 46 digital videos created by a cohort of undergraduates who attended a digital media course. The examination of the digital videos showed that only one in three video projects involved the use of effects for changing the color of the original image and video resources. A closer analysis of these video projects indicated three main patterns of color-related effects: defective, inconsistent, and consistent. Two video projects from each category are analyzed in detail, examining how the students utilized the semiotic potential of effects for manipulating color. The study is concluded with a discussion of the main findings and directions of future research.
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来源期刊
Punctum International Journal of Semiotics
Punctum International Journal of Semiotics Social Sciences-Linguistics and Language
CiteScore
0.60
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0
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