比安卡·卡佩罗宫怪诞的挑衅

IF 0.2 3区艺术学 0 ART SOURCE-NOTES IN THE HISTORY OF ART Pub Date : 2022-09-01 DOI:10.1086/724209

Victoria Addona

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摘要

虽然米开朗基罗之后的建筑发明通常被称为“矫饰主义”，但乔治·瓦萨里用了一个更明显的形容词来形容放荡的装饰:怪诞。根据瓦萨里的说法，“从那以后出现了新的幻想，它们的装饰中更多的是怪诞，而不是理性或规则。”建筑师如Bartolomeo Ammannati, Bernardo Buontalenti和Vasari的“幻想”

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The Grotesque Provocations of the Palazzo di Bianca Cappello

While architectural inventions after Michelangelo are often termed “Mannerist,” Giorgio Vasari used a more conspicuous adjective to describe licentious ornament: grotesque. According to Vasari, “new fantasies have since been seen which have more of the grotesque than of reason or rule in their ornamentation.” The “fantasies” that architects such as Bartolomeo Ammannati, Bernardo Buontalenti, and Vasari

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