{"title":"c.l.a.s.a.新闻,政府广播机构(1934 - 52)","authors":"Tania Celina Ruiz Ojeda","doi":"10.1386/slac_00017_1","DOIUrl":null,"url":null,"abstract":"Mexican film was aligned with the state since its origins, but this union only generated continuous cinematographic production beginning in the 1930s, when the government of President Lázaro Cárdenas del Río (1934‐40) signed a contract with the production\n company that would go to become one of the most important producers of Mexican cinema of the Golden Age: la Cinematográfica Latinoamericana S.A. (CLASA). This article analyses the changes of discourse and narrative style used in these newsreels during three consecutive presidential\n terms and outlines the working dynamics and the cinematic discourse of each government, as well as how newsreel formats reflected the agenda of each head of state.","PeriodicalId":40780,"journal":{"name":"Studies in Spanish & Latin American Cinemas","volume":"4 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"El Noticiario C.L.A.S.A., órgano de difusión gubernamental (1934‐52)\",\"authors\":\"Tania Celina Ruiz Ojeda\",\"doi\":\"10.1386/slac_00017_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Mexican film was aligned with the state since its origins, but this union only generated continuous cinematographic production beginning in the 1930s, when the government of President Lázaro Cárdenas del Río (1934‐40) signed a contract with the production\\n company that would go to become one of the most important producers of Mexican cinema of the Golden Age: la Cinematográfica Latinoamericana S.A. (CLASA). This article analyses the changes of discourse and narrative style used in these newsreels during three consecutive presidential\\n terms and outlines the working dynamics and the cinematic discourse of each government, as well as how newsreel formats reflected the agenda of each head of state.\",\"PeriodicalId\":40780,\"journal\":{\"name\":\"Studies in Spanish & Latin American Cinemas\",\"volume\":\"4 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studies in Spanish & Latin American Cinemas\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/slac_00017_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in Spanish & Latin American Cinemas","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/slac_00017_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
墨西哥电影从一开始就与国家结盟,但这种联盟直到20世纪30年代才开始产生持续的电影制作,当时总统Lázaro Cárdenas del Río(1934 - 40)政府与制作公司签订了一份合同,该公司将成为黄金时代墨西哥电影最重要的生产商之一:la Cinematográfica Latinoamericana S.A. (CLASA)。本文分析了连续三届总统任期内新闻短片的话语和叙事风格的变化,概述了每届政府的工作动态和电影话语,以及新闻短片格式如何反映每一位国家元首的议程。
El Noticiario C.L.A.S.A., órgano de difusión gubernamental (1934‐52)
Mexican film was aligned with the state since its origins, but this union only generated continuous cinematographic production beginning in the 1930s, when the government of President Lázaro Cárdenas del Río (1934‐40) signed a contract with the production
company that would go to become one of the most important producers of Mexican cinema of the Golden Age: la Cinematográfica Latinoamericana S.A. (CLASA). This article analyses the changes of discourse and narrative style used in these newsreels during three consecutive presidential
terms and outlines the working dynamics and the cinematic discourse of each government, as well as how newsreel formats reflected the agenda of each head of state.