{"title":"对无用文学的战争:虚无主义与俄罗斯现代希伯来文学的危机","authors":"Marina Zilbergerts","doi":"10.2979/prooftexts.38.2.10","DOIUrl":null,"url":null,"abstract":"Abstract:This article details how the ideas of nihilism challenged the incipient sphere of Hebrew literature in nineteenth-century Russia. In the 1860s, Russian nihilist critics Nikolai Chernyshevsky, Nikolai Dobroliubov, and Dmitrii Pisarev argued that the value of literary works lies in their social utility. For young Jewish writers emerging from rabbinic milieus where the engagement with sacred texts was valued for its own sake, discovery of the utilitarian view of literature threatened to undermine their own literary aspirations and the project of Hebrew literature as a whole. I show that, in the wake of the nihilist critique in the 1860s, yeshivaeducated writers began to turn against the newly formed sphere of Hebrew letters with the accusation that a \"useless\" textual engagement characteristic of Talmud study pervaded the Hebrew literary production of their day. I track the development of this idea in the debates of pioneering Hebrew writers and literary critics such as Abraham Uri Kovner, his lesser-known brother Isaac Kovner, and the writer Abraham Ber Gottlober. Reading early Jewish writers and critics alongside their Russian contemporaries, this article illuminates the struggle of modern Hebrew writers with the Jewish religious textual tradition, while situating it in the context of larger Russian debates about literature's value and function in the world.","PeriodicalId":43444,"journal":{"name":"PROOFTEXTS-A JOURNAL OF JEWISH LITERARY HISTORY","volume":"18 1","pages":"433 - 452"},"PeriodicalIF":0.2000,"publicationDate":"2021-05-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The War on Useless Literature: Nihilism and the Crisis of Modern Hebrew Literature in Russia\",\"authors\":\"Marina Zilbergerts\",\"doi\":\"10.2979/prooftexts.38.2.10\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This article details how the ideas of nihilism challenged the incipient sphere of Hebrew literature in nineteenth-century Russia. In the 1860s, Russian nihilist critics Nikolai Chernyshevsky, Nikolai Dobroliubov, and Dmitrii Pisarev argued that the value of literary works lies in their social utility. For young Jewish writers emerging from rabbinic milieus where the engagement with sacred texts was valued for its own sake, discovery of the utilitarian view of literature threatened to undermine their own literary aspirations and the project of Hebrew literature as a whole. I show that, in the wake of the nihilist critique in the 1860s, yeshivaeducated writers began to turn against the newly formed sphere of Hebrew letters with the accusation that a \\\"useless\\\" textual engagement characteristic of Talmud study pervaded the Hebrew literary production of their day. I track the development of this idea in the debates of pioneering Hebrew writers and literary critics such as Abraham Uri Kovner, his lesser-known brother Isaac Kovner, and the writer Abraham Ber Gottlober. Reading early Jewish writers and critics alongside their Russian contemporaries, this article illuminates the struggle of modern Hebrew writers with the Jewish religious textual tradition, while situating it in the context of larger Russian debates about literature's value and function in the world.\",\"PeriodicalId\":43444,\"journal\":{\"name\":\"PROOFTEXTS-A JOURNAL OF JEWISH LITERARY HISTORY\",\"volume\":\"18 1\",\"pages\":\"433 - 452\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2021-05-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"PROOFTEXTS-A JOURNAL OF JEWISH LITERARY HISTORY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2979/prooftexts.38.2.10\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"PROOFTEXTS-A JOURNAL OF JEWISH LITERARY HISTORY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2979/prooftexts.38.2.10","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
The War on Useless Literature: Nihilism and the Crisis of Modern Hebrew Literature in Russia
Abstract:This article details how the ideas of nihilism challenged the incipient sphere of Hebrew literature in nineteenth-century Russia. In the 1860s, Russian nihilist critics Nikolai Chernyshevsky, Nikolai Dobroliubov, and Dmitrii Pisarev argued that the value of literary works lies in their social utility. For young Jewish writers emerging from rabbinic milieus where the engagement with sacred texts was valued for its own sake, discovery of the utilitarian view of literature threatened to undermine their own literary aspirations and the project of Hebrew literature as a whole. I show that, in the wake of the nihilist critique in the 1860s, yeshivaeducated writers began to turn against the newly formed sphere of Hebrew letters with the accusation that a "useless" textual engagement characteristic of Talmud study pervaded the Hebrew literary production of their day. I track the development of this idea in the debates of pioneering Hebrew writers and literary critics such as Abraham Uri Kovner, his lesser-known brother Isaac Kovner, and the writer Abraham Ber Gottlober. Reading early Jewish writers and critics alongside their Russian contemporaries, this article illuminates the struggle of modern Hebrew writers with the Jewish religious textual tradition, while situating it in the context of larger Russian debates about literature's value and function in the world.
期刊介绍:
For sixteen years, Prooftexts: A Journal of Jewish Literary History has brought to the study of Jewish literature, in its many guises and periods, new methods of study and a new wholeness of approach. A unique exchange has taken place between Israeli and American scholars, as more work from Israelis has appeared in the journal. Prooftexts" thematic issues have made important contributions to the field.