用艺术抵制认知不公

Q2 Social Sciences Contention Pub Date : 2020-06-01 DOI:10.3167/cont.2020.080107
Gustavo H. Dalaqua
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引用次数: 2

摘要

被压迫者美学是奥古斯托·波尔阐述的一系列艺术实践,包括被压迫者的戏剧、欲望的彩虹技术和立法的戏剧,它利用艺术来抵制认识上的不公正,促进民主自由。通过限制人们了解和探索其身体和欲望潜力的能力,认知上的不公正使压迫永久化,阻碍了民主自由的到来。被压迫者的戏剧处理肉体上的压迫,欲望的彩虹技巧通过鼓励被压迫者批判性地审视他们的欲望和自我认识来抵制心理上的压迫。最后,立法剧场通过允许公民抗议可能由代表制定的法律的颁布而导致的任何认识上的不公正,从而进一步促进了民主自由。
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Using Art to Resist Epistemic Injustice
This article argues that the aesthetics of the oppressed—a series of artistic practices elaborated by Augusto Boal that comprises the theatre of the oppressed, the rainbow of desire technique, and legislative theatre—utilizes art in order to resist epistemic injustice and promote democratic freedom. By constraining people’s ability to know and explore the potentialities of their bodies and desires, epistemic injustice perpetuates oppression and blocks the advent of democratic freedom. Whereas the theatre of the oppressed tackles corporal oppression, the rainbow of desire technique resists psychological oppression by encouraging the oppressed to critically examine their desires and self-knowledge. Finally, legislative theatre furthers democratic freedom by allowing citizens to protest against any epistemic injustice that might result from the enactment of laws made by representatives.
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来源期刊
Contention
Contention Social Sciences-Cultural Studies
CiteScore
1.60
自引率
0.00%
发文量
13
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