空间形态与伊斯兰文化仪式在锡宾市文化景观格局中的协同作用

IF 0.3 3区 艺术学 0 ARCHITECTURE International Journal of Islamic Architecture Pub Date : 2023-06-28 DOI:10.18860/jia.v7i3.17764
D. Rosmalia, D. Dewiyanti
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引用次数: 0

摘要

锡雷bon市的空间形式与伊斯兰(爪哇)文化仪式之间存在协作,这有可能塑造文化景观的独特性。研究对象是每年举行“M(a)uludan”传统仪式的卡曼苏丹国。其目的是描述Keraton kanman的物理形式与M (a)uludan传统(伊斯兰或爪哇文化)之间的合作。这涉及到通过为期8年的文化参与使用定性描述方法。结果表明,由来自31个村庄的居民作为Keraton kanman的追随者(wargi)串联在一起的假想空间形成的存在。此外,发现仪式路线的空间形式已经形成了几代人。人们坚信,这些路线的存在和参与可以给他们带来美德,祝福,繁荣,以及保护他们免受不幸。本研究认为,这些虚构的空间形式是由这些文化事件所创造的。
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The Collaboration Between Space Form and Islamic Cultural Rituals on the Cultural Landscape Pattern of Cirebon City
There is a collaboration between spatial forms and Islamic (Javanese) cultural rituals in Cirebon city, which has the potential to shape the uniqueness of the cultural landscape. The research object is the Kanoman Sultanate which conducts the annual ritual, 'M(a)uludan' tradition. The aim is to describe the collaboration between the physical forms of the Keraton Kanoman and the M (a)uludan Tradition, which is the Islamic or Javanese culture. This involved using the qualitative description method through cultural participation for a period of 8 years. The results showed the existence of an imaginary space formation strung together by the presence of residents from 31 villages as followers (wargi) of the Keraton Kanoman. Moreover, the spatial form of the ritual route was discovered to have been formed for several generations. The people strongly believe that the presence and involvement of these routes can bring them virtue, blessings, prosperity, as well as protection from misfortune. This research argues that the imaginary space forms were created by these cultural events.
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来源期刊
CiteScore
0.50
自引率
0.00%
发文量
33
期刊介绍: The International Journal of Islamic Architecture (IJIA) publishes bi-annually, peer-reviewed articles on the urban design and planning, architecture and landscape architecture of the historic Islamic world, encompassing the Middle East and parts of Africa and Asia, but also the more recent geographies of Islam in its global dimensions. The main emphasis is on the detailed analysis of the practical, historical and theoretical aspects of architecture, with a focus on both design and its reception. The journal also aims to encourage dialogue and discussion between practitioners and scholars. Articles that bridge the academic-practitioner divide are highly encouraged. While the main focus is on architecture, papers that explore architecture from other disciplinary perspectives, such as art, history, archaeology, anthropology, culture, spirituality, religion and economics are also welcome. The journal is specifically interested in contemporary architecture and urban design in relation to social and cultural history, geography, politics, aesthetics, technology and conservation. Spanning across cultures and disciplines, IJIA seeks to analyse and explain issues related to the built environment throughout the regions covered. The audience of this journal includes both practitioners and scholars. The journal publishes both online and in print. The first issue was published in January 2012.
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