现代城市规划与不和谐遗产:以圣波罗为例

Q3 Arts and Humanities Art History and Criticism Pub Date : 2020-11-26 DOI:10.2478/mik-2020-0005
N. Belli
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引用次数: 2

摘要

本文的目的是了解在第二次世界大战后的几十年里,在创新的规划思想和平等主义哲学的影响下,以新的建筑方法建造的现代大众住宅小区目前在多大程度上面临着衰落的过程。特别是,该研究致力于了解这些创新的城市结构如何迅速演变成污名化的居住场所和不和谐遗产的来源。这项工作的重点是意大利布雷西亚的San Polo社区,由建筑师、规划师和历史学家Leonardo Benevolo设计,他有机会在意大利北部城市实验和实施他在“公共城市化”领域的建筑观点。可以说,Benevolo的理论方法和建筑实践极好地代表了战后欧洲现代住房的黄金时代,当时进步的政治观点和平等的城市规划之间的联系显然是完美的。然而,自20世纪80年代以来西欧的政治和经济转型之后,大规模住房迅速成为公共话语中的残余问题,并进入了衰退的螺旋。圣波罗也不例外:问题——尤其是其标志性的塔楼——很快就出现了,总体乐观的预期被现实的物质、社会和经济衰退所挫败。因此,本研究致力于了解圣波罗在多大程度上是城市背景下不和谐遗产的案例。虽然很明显,San Polo的遗产是一个精确的历史阶段的遗产,代表了建筑和规划方面的特殊思想,但另一方面,必须强调的是,近几十年的意识形态转变使其价值观和信息过时,社会经济隔离对社区的声誉产生了负面影响,其居民不得不面对一个在官方和新闻话语中得到呼应的污名化过程。
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Modern Urban Planning and Dissonant Heritage: The Case of San Polo
Summary The aim of the article is to understand to what extent modern mass housing estates, built in the decades following the Second World War with new construction methods and under the influence of innovative planning ideas and egalitarian philosophy, are currently facing a process of decline. In particular, the research is committed to understand how such innovative urban structures rapidly evolved into stigmatized places of residence and sources of dissonant heritage. The work focuses on the case of San Polo, a neighbourhood of Brescia, in Italy, designed by architect, planner and historian Leonardo Benevolo, who had the opportunity in the northern Italian city to experiment and implement his architectural views in the sphere of “public urbanization”. It is possible to claim that Benevolo’s theoretical approach and architectural practice excellently represented the golden age of modern housing in postwar Europe, when the connection between progressive political views and egalitarian urban planning was apparently perfect. Nevertheless, after the political and economic transition that characterized western Europe since the 1980s, mass housing quickly became a residual issue in the public discourse and entered in a spiral of decline. San Polo was no exception: problems – especially in its iconic tower blocks – soon emerged, and overall optimistic expectations were frustrated by the reality of physical, social and economic decline. This study is therefore committed to understand to what extent San Polo is a case of dissonant heritage in the urban context. While it is clear that the heritage of San Polo is the heritage of a precise historical phase and represents particular ideas in architecture and planning, on the other hand it must be stressed that the ideological transition of recent decades made its values and its messages obsolete and that socio-economic segregation negatively affected the reputation of the neighbourhood and its inhabitants had to face a process of stigmatization that found echo in official and journalistic discourse.
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来源期刊
Art History and Criticism
Art History and Criticism Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.30
自引率
0.00%
发文量
7
审稿时长
24 weeks
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