{"title":"当巴黎是“中国时间”或者是蓬皮杜在中国和让·扬的《巴黎的中国人》","authors":"C. E. Clark","doi":"10.3167/FPCS.2019.370203","DOIUrl":null,"url":null,"abstract":"This article looks at two seemingly disparate events: Georges Pompidou’s 1973 presidential visit to the People’s Republic of China (PRC) and the filming and release of Jean Yanne’s blockbuster comedy Les Chinois à Paris (1974). Both produced flawed visions of Franco-Chinese relations.\nDuring Pompidou’s visit, officials and the press attempted to demonstrate that France enjoyed warmer relations with the PRC than any other Western nation. Yanne’s film parodied the French fad for Maoism by imagining the People’s Liberation Army invading and occupying Paris. His film caused an uproar in the press and sparked official Chinese protest. The article ultimately argues that the two events were deeply related, part of a wave of popular and official interest in China in the early 1970s that extended well\nbeyond the well-known stories of student and intellectual Maoists. This interest paved the way for Franco-Chinese relations as we know them today.","PeriodicalId":35271,"journal":{"name":"French Politics, Culture & Society","volume":"18 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":"{\"title\":\"WHEN PARIS WAS “À L’HEURE CHINOISE” OR GEORGES POMPIDOU IN CHINA AND JEAN YANNE’S (1974) LES CHINOIS À PARIS\",\"authors\":\"C. E. Clark\",\"doi\":\"10.3167/FPCS.2019.370203\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article looks at two seemingly disparate events: Georges Pompidou’s 1973 presidential visit to the People’s Republic of China (PRC) and the filming and release of Jean Yanne’s blockbuster comedy Les Chinois à Paris (1974). Both produced flawed visions of Franco-Chinese relations.\\nDuring Pompidou’s visit, officials and the press attempted to demonstrate that France enjoyed warmer relations with the PRC than any other Western nation. Yanne’s film parodied the French fad for Maoism by imagining the People’s Liberation Army invading and occupying Paris. His film caused an uproar in the press and sparked official Chinese protest. The article ultimately argues that the two events were deeply related, part of a wave of popular and official interest in China in the early 1970s that extended well\\nbeyond the well-known stories of student and intellectual Maoists. This interest paved the way for Franco-Chinese relations as we know them today.\",\"PeriodicalId\":35271,\"journal\":{\"name\":\"French Politics, Culture & Society\",\"volume\":\"18 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-07-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"French Politics, Culture & Society\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3167/FPCS.2019.370203\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"French Politics, Culture & Society","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3167/FPCS.2019.370203","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
WHEN PARIS WAS “À L’HEURE CHINOISE” OR GEORGES POMPIDOU IN CHINA AND JEAN YANNE’S (1974) LES CHINOIS À PARIS
This article looks at two seemingly disparate events: Georges Pompidou’s 1973 presidential visit to the People’s Republic of China (PRC) and the filming and release of Jean Yanne’s blockbuster comedy Les Chinois à Paris (1974). Both produced flawed visions of Franco-Chinese relations.
During Pompidou’s visit, officials and the press attempted to demonstrate that France enjoyed warmer relations with the PRC than any other Western nation. Yanne’s film parodied the French fad for Maoism by imagining the People’s Liberation Army invading and occupying Paris. His film caused an uproar in the press and sparked official Chinese protest. The article ultimately argues that the two events were deeply related, part of a wave of popular and official interest in China in the early 1970s that extended well
beyond the well-known stories of student and intellectual Maoists. This interest paved the way for Franco-Chinese relations as we know them today.
期刊介绍:
French Politics, Culture & Society explores modern and contemporary France from the perspectives of the social sciences, history, and cultural analysis. It also examines France''s relationship to the larger world, especially Europe, the United States, and the former French Empire. The editors also welcome pieces on recent debates and events, as well as articles that explore the connections between French society and cultural expression of all sorts (such as art, film, literature, and popular culture). Issues devoted to a single theme appear from time to time. With refereed research articles, timely essays, and reviews of books in many disciplines, French Politics, Culture & Society provides a forum for learned opinion and the latest scholarship on France.