时间感:体验近代早期意大利的鼠疫与检疫

IF 0.1 0 MEDIEVAL & RENAISSANCE STUDIES I Tatti Studies Pub Date : 2021-09-01 DOI:10.1086/716244
J. Crawshaw
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引用次数: 0

摘要

圣塞巴斯蒂安浮雕板,制作于16世纪早期的德鲁塔,在物质文化历史学家中是众所周知的最早的意大利光泽器的例子。这种说法是可能的,因为这件作品的下半部分上有一个不同寻常的突出的日期铭文:1501年7月14日。考虑到与现代时代相比,前现代的时间概念通常被认为是有机的和不精确的,面板上日期的精确度令人震惊。圣塞巴斯蒂安作为对抗瘟疫的主要代祷者之一所扮演的角色使这个物体特别有趣。目前尚不清楚这个铭文是否标志着瘟疫爆发的结束,或者可能是一种个人在流行病过程中治愈的经历。无论哪种方式,圣徒代祷角色的持久性都通过参考特定的时间时刻而得到加强,这里用精确的日期来显示,而不是像那些在祈祷板上展示的那样,用视觉来表示事件。回顾近代早期意大利瘟疫的历史就是要看看
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A Sense of Time: Experiencing Plague and Quarantine in Early Modern Italy
A RELIEF PANEL OF ST. SEBASTIAN , produced in early sixteenth-century Deruta, is well known among historians of material culture as the earliest known example of Italian lusterware. This claim is made possible by the unusually prominent date inscription on the lower section of the piece: July 14, 1501. The precision of the date on the panel is striking, given that premodern conceptions of time have often been characterized as organic and imprecise when compared with modern eras. The role played by St. Sebastian as one of the principal intercessors against the plague makes this object particularly intriguing. It is not known whether the inscription marked the end of an outbreak of plague, or perhaps a personal experience of healing in the course of an epidemic. Either way, the enduring nature of the saint’s role for intercession is intensified through reference to a specificmoment in time, shown here by a precise date rather than a visual representation of an event akin to those illustrated on votive panels. To look back on episodes of early modern Italian plague is to see how a
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I Tatti Studies
I Tatti Studies MEDIEVAL & RENAISSANCE STUDIES-
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