{"title":"卡拉瓦乔如何照亮他的主题?","authors":"T. Thomas","doi":"10.1086/712864","DOIUrl":null,"url":null,"abstract":"In recent years scholars have increasingly studied Caravaggio’s studio procedures, but no one to my knowledge has taken photographs of models with the purpose of demonstrating the light sources he used while painting. In their seventeenth-century biographies of the artist, Giovanni Pietro Bellori and Joachim von Sandrart both state that, while working in a darkened room, Caravaggio (1571–1610) illuminated his subjects with a single light source from above. Sandrart does not specify the type of illumination used by Caravaggio (he mentions “einiges kleines Liecht”—one small light), but in a highly influential translation of Bellori’s account, Howard Hibbard is more specific, referring to “lamps.” Bellori’s report reads as follows: “[Caravaggio] trovò una maniera di campirle [i.e., his models] entro l’aria bruna d’una camera rinchiusa,","PeriodicalId":43235,"journal":{"name":"SOURCE-NOTES IN THE HISTORY OF ART","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"How Did Caravaggio Light His Subjects?\",\"authors\":\"T. Thomas\",\"doi\":\"10.1086/712864\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In recent years scholars have increasingly studied Caravaggio’s studio procedures, but no one to my knowledge has taken photographs of models with the purpose of demonstrating the light sources he used while painting. In their seventeenth-century biographies of the artist, Giovanni Pietro Bellori and Joachim von Sandrart both state that, while working in a darkened room, Caravaggio (1571–1610) illuminated his subjects with a single light source from above. Sandrart does not specify the type of illumination used by Caravaggio (he mentions “einiges kleines Liecht”—one small light), but in a highly influential translation of Bellori’s account, Howard Hibbard is more specific, referring to “lamps.” Bellori’s report reads as follows: “[Caravaggio] trovò una maniera di campirle [i.e., his models] entro l’aria bruna d’una camera rinchiusa,\",\"PeriodicalId\":43235,\"journal\":{\"name\":\"SOURCE-NOTES IN THE HISTORY OF ART\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2021-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"SOURCE-NOTES IN THE HISTORY OF ART\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/712864\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"SOURCE-NOTES IN THE HISTORY OF ART","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/712864","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 1
摘要
近年来,学者们越来越多地研究卡拉瓦乔的工作室程序,但据我所知,没有人为了展示他在绘画时使用的光源而拍摄模特的照片。在17世纪的艺术家传记中,Giovanni Pietro Bellori和Joachim von Sandrart都指出,卡拉瓦乔(1571-1610)在一个黑暗的房间里工作时,用一个单一的光源从上面照亮了他的主题。桑德拉特没有具体说明卡拉瓦乔使用的照明类型(他提到了“einiges kleines light”——一盏小灯),但在对贝洛里的描述进行了极具影响力的翻译后,霍华德·希巴德(Howard Hibbard)更具体地提到了“灯”。贝洛里的报告如下:“(卡拉瓦乔)trovò una maniera di campirle(即他的模特)entro l 'aria bruna d 'una camera rinchiusa,
In recent years scholars have increasingly studied Caravaggio’s studio procedures, but no one to my knowledge has taken photographs of models with the purpose of demonstrating the light sources he used while painting. In their seventeenth-century biographies of the artist, Giovanni Pietro Bellori and Joachim von Sandrart both state that, while working in a darkened room, Caravaggio (1571–1610) illuminated his subjects with a single light source from above. Sandrart does not specify the type of illumination used by Caravaggio (he mentions “einiges kleines Liecht”—one small light), but in a highly influential translation of Bellori’s account, Howard Hibbard is more specific, referring to “lamps.” Bellori’s report reads as follows: “[Caravaggio] trovò una maniera di campirle [i.e., his models] entro l’aria bruna d’una camera rinchiusa,