门廊上的诗

IF 0.1 4区 社会学 0 FOLKLORE VOICES-THE JOURNAL OF NEW YORK FOLKLORE Pub Date : 2011-09-22 DOI:10.7591/cornell/9781501702358.003.0008
Steve Zeitlin
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But we all bring a few poems down to the beach to read, and Aidan Powers, now 10 years old, comes equipped with a full set of Shel Silverstein's ingenious poems from books like Falling Up. (One of the Silverstein lines delivered on poetry night has even become a kind of family expression: \"We can be friends forever,\" I joke with Aidan. \"There's really nothing to it. I tell you what to do, and you do it!\") Masterpieces and ditties are read side by side. Poems from the English Romantics like Shelley, Keats, Wordsworth, and Byron are read side by side with cowboy poetry and nonsense verses. One family story reminded Lucas of an old limerick that he mostly recalled: \"A wonderful bird is the pelican / His bill holds more than his belly can....\" Then Lucas forgot a line, which we were able to recapture thanks to the internet, available even at the beach in recent years. \"Ah, that's it! 'He can take in his beak / Food enough for a week / But I'm damned if I see how the helican.'\" But the poems that waft onto the sea air that evening carry with them not only the finely wrought words of their creators, but the family stories and personalities and ethos of the family gathering. Each year, for instance, Amanda's sister Sarah reads \"The Minuet\" by Mary Mapes Dodge in honor of her mother: \"Grandma told me all about it / Told me so I couldn't doubt it / How she danced / my Grandma danced / Long ago.\" She reads that poem every year, because it reminds us all of a story that: Frances, now 94, loves to tell of how she once jumped up on a table at the Junior Senior ball and danced to Cab Calloway's 1931 hit \"Minnie the Moocher.\" We could have guessed what poem would come next. Lucas, a forester and environmentalist, never misses a chance to read Shelley's \"The (Cloud\": \"I am the daughter of Earth and Water, / And the nursling of the Sky; I pass through the pores, of the ocean and shores; / I change, but I cannot die . …","PeriodicalId":42263,"journal":{"name":"VOICES-THE JOURNAL OF NEW YORK FOLKLORE","volume":"41 1","pages":"15"},"PeriodicalIF":0.1000,"publicationDate":"2011-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Poetry on the Porch\",\"authors\":\"Steve Zeitlin\",\"doi\":\"10.7591/cornell/9781501702358.003.0008\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"My family and I love August in New York. Parking is easy, and we even get a seat on the subways. 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引用次数: 0

摘要

我和我的家人都喜欢纽约的八月。停车很容易,我们甚至可以在地铁上找到座位。但每年夏天8月的第一个星期,我们也会逃离警笛声和喇叭声,在南卡罗来纳州花园城的海滩上度过一个星期,远离城市之爱第一街和第一大道办公室的嘈杂喧闹声。我妻子和同为民俗学家的阿曼达·达根(Amanda Dargan)的父母租下了这栋房子,她所有的姐妹和我们的侄子侄女都挤在这里,下午和晚上在用纱窗围起来的门廊上俯瞰沙丘、海滩和大海。我们的传统之一是晚上在门廊上读诗,这是阿曼达的父亲卢卡斯·达根(Lucas Dargan)热切期待的传统,他在1929年出版了他最喜欢的101首诗。但我们都会带几首诗到海滩上阅读,今年10岁的艾丹·鲍尔斯(Aidan Powers)从谢尔·西尔弗斯坦(Shel Silverstein)的《坠落》(Falling Up)等书中收集了一整套巧妙的诗歌。(我和艾丹开玩笑说,西尔弗斯坦在诗歌之夜朗诵的一句台词甚至已经成为一种家庭表达:“我们可以永远是朋友。”“这真的没什么。我告诉你该做什么,你就做什么!”)杰作和小曲被并排朗读。雪莱、济慈、华兹华斯和拜伦等英国浪漫主义者的诗歌与牛仔诗和无意义的诗歌并列阅读。一个家庭故事让卢卡斯想起了一首老打油诗,他经常回忆:“一种奇妙的鸟是鹈鹕/他的喙比他的肚子能容纳更多的东西....”然后卢卡斯忘记了一句台词,多亏了近年来甚至在海滩上都可以使用的互联网,我们才得以重新捕捉到这句台词。“啊,就是这样!”“它可以用嘴叼进/足够吃一个星期的食物/但如果我看到直升飞机如何飞行,我就会被诅咒。”’”但是,那天晚上飘在海边空气中的诗歌,不仅包含了创作者的精雕细琢的文字,还包含了家庭故事、家庭聚会的个性和精神。例如,每年,阿曼达的妹妹莎拉都会读玛丽·梅普斯·道奇(Mary Mapes Dodge)的《小步舞》(The Minuet),以纪念她的母亲:“奶奶把它的一切都告诉了我/告诉了我,所以我不能怀疑/她是怎么跳的/我奶奶是怎么跳的/很久以前。”她每年都会读这首诗,因为它让我们想起了一个故事:现年94岁的弗朗西斯喜欢讲她有一次在高三舞会上跳上桌子,随着卡布·卡洛韦(Cab Calloway) 1931年的热门歌曲《Moocher Minnie》跳舞。我们本可以猜到下一首诗会是什么。卢卡斯是一名护林员和环保主义者,他从不错过阅读雪莱的《云》的机会:“我是大地和水的女儿/是天空的保姆;我穿过海洋和海岸的毛孔;/我会改变,但我不会死。...
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Poetry on the Porch
My family and I love August in New York. Parking is easy, and we even get a seat on the subways. But the first week of August every summer, we, too, flee the sirens and horns, abandoning the cacophonous clatter of City Lore's First Street and First Avenue offices for a week at the beach in Garden City, South Carolina. My wife and fellow folklorist Amanda Dargan's parents rent the house, and all of her sisters and our nieces and nephews pile in, spending afternoons and evenings on the screened-in porch overlooking the sand dunes, the beach, and sea. Among our traditions is an evening spent reading poems on the porch, a tradition Lucas Dargan, Amanda's dad, eagerly anticipates, with his at-the-ready 101 Favorite Poems, published in 1929. But we all bring a few poems down to the beach to read, and Aidan Powers, now 10 years old, comes equipped with a full set of Shel Silverstein's ingenious poems from books like Falling Up. (One of the Silverstein lines delivered on poetry night has even become a kind of family expression: "We can be friends forever," I joke with Aidan. "There's really nothing to it. I tell you what to do, and you do it!") Masterpieces and ditties are read side by side. Poems from the English Romantics like Shelley, Keats, Wordsworth, and Byron are read side by side with cowboy poetry and nonsense verses. One family story reminded Lucas of an old limerick that he mostly recalled: "A wonderful bird is the pelican / His bill holds more than his belly can...." Then Lucas forgot a line, which we were able to recapture thanks to the internet, available even at the beach in recent years. "Ah, that's it! 'He can take in his beak / Food enough for a week / But I'm damned if I see how the helican.'" But the poems that waft onto the sea air that evening carry with them not only the finely wrought words of their creators, but the family stories and personalities and ethos of the family gathering. Each year, for instance, Amanda's sister Sarah reads "The Minuet" by Mary Mapes Dodge in honor of her mother: "Grandma told me all about it / Told me so I couldn't doubt it / How she danced / my Grandma danced / Long ago." She reads that poem every year, because it reminds us all of a story that: Frances, now 94, loves to tell of how she once jumped up on a table at the Junior Senior ball and danced to Cab Calloway's 1931 hit "Minnie the Moocher." We could have guessed what poem would come next. Lucas, a forester and environmentalist, never misses a chance to read Shelley's "The (Cloud": "I am the daughter of Earth and Water, / And the nursling of the Sky; I pass through the pores, of the ocean and shores; / I change, but I cannot die . …
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