信息时代公共空间的形式和语言

Antonia Di Lauro
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摘要

在当代城市中,封闭和个人主义以牺牲“混合”和包容为代价占据主导地位。通过围绕速度和全球化原则构建领土,网络产生了社会互动的“薄弱环节”,反映在一个缺乏身份的公共空间中,快速而孤独地使用,被对差异的恐惧和冷漠所主导。与这些动态相反,协作的重要性出现了,开放城市的核心价值是技术和社会成为协调全球和地方、个人和社区的资源。在这个方向上,在公共空间的尺度上,城市活动的协作行动和自下而上的实践在项目的非物质组成部分起作用:共同设计过程引导公民、集体和协会的干预,重新发现与场所相关的身份价值、文化意义和情感。公共空间再次成为互动和聚会的场所,通过“固定时间建筑”体验一种新的生活文化,在满足当下需求的同时,想象变化。通过集体创造力和对地点的直接行动,短暂和临时重新象征了普通的景观,如果一方面它们表达了我们时代的加速,另一方面它们成为一个项目的形式和语言,在生态视野中,与自然的节奏相适应,一切都在变化和进化,为生命做出贡献。
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Effimero e temporaneo: forme e linguaggi dello spazio pubblico nell’era dell’informazione
In contemporary cities, closure and individualism predominate at the expense of ‘mixing’ and inclusion. By structuring the territories around the principles of speed and globalization, the Net has generated ‘weak links’ of social interaction that are reflected in a public space devoid of identity, used quickly and in solitude, dominated by the fear of the difference and by indifference. In opposition to these dynamics, the importance of collaboration emerges, the central value of an open city in which technology and society become resources to reconcile global and local, individual and community. In this direction, at the scale of public space, the collaborative actions of urban events and the bottom-up practices work on the immaterial component of the project: co-design processes guide the interventions of citizens, collectives and associations in the rediscovery of identity values, cultural meanings and emotions associated with places. The public space becomes a place of interaction and meeting again, experiencing a new culture of living through ‘fixed-time architecture’ which, while meeting the needs of the moment, imagine change. Ephemeral and temporary re-signify ordinary landscapes through collective creativity and direct action on places and, if on the one hand they express the acceleration of our era, on the other they become forms and languages of a project that, in an ecological vision, fits with the rhythms of nature, where everything changes and evolves to contribute to life.
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