{"title":"Ŭnhasu管弦乐队的兴衰","authors":"P. Korhonen, Werner Koidl","doi":"10.33526/EJKS.20181801.63","DOIUrl":null,"url":null,"abstract":"The Ŭnhasu Orchestra was a major North Korean ensemble in 2009–2013. It was established by Kim Jong Il (Kim Chŏng’il, 김정일) and was composed of young musicians and singers of both genders, several of them having studied in foreign higher educational institutions in countries like Austria, Italy, Russia and China. Its members represented the core class of the North Korean society. It was ostensibly meant to display the high quality of North Korean art and engage at this level also in international cultural diplomacy, both in terms of physical visits, and in terms of DVD and internet publishing. In addition to domestic concerts, the Ŭnhasu Orchestra performed with visiting Russian artists, and gave a concert in Paris in 2012. The Ŭnhasu Orchestra exemplifies also the problems with regime transition in North Korea. It was so closely tied with the Kim Jong Il regime that the change at the end of 2011 to the Kim Jong Un (Kim Chŏng’un, 김정은) regime did not proceed altogether smoothly. In August 2013 it was disbanded rather abruptly, causing an international uproar, and signalling the beginning of a wave of other purges leading up to the highest leadership levels. The article attempts to shed light on the nature of the Orchestra as a North Korean cultural phenomenon and the reasons for its sudden ending, trying to dispel some of the disinformation surrounding the event.","PeriodicalId":40316,"journal":{"name":"European Journal of Korean Studies","volume":"30 1","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"The Rise and Fall of the Ŭnhasu Orchestra\",\"authors\":\"P. Korhonen, Werner Koidl\",\"doi\":\"10.33526/EJKS.20181801.63\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The Ŭnhasu Orchestra was a major North Korean ensemble in 2009–2013. It was established by Kim Jong Il (Kim Chŏng’il, 김정일) and was composed of young musicians and singers of both genders, several of them having studied in foreign higher educational institutions in countries like Austria, Italy, Russia and China. Its members represented the core class of the North Korean society. It was ostensibly meant to display the high quality of North Korean art and engage at this level also in international cultural diplomacy, both in terms of physical visits, and in terms of DVD and internet publishing. In addition to domestic concerts, the Ŭnhasu Orchestra performed with visiting Russian artists, and gave a concert in Paris in 2012. The Ŭnhasu Orchestra exemplifies also the problems with regime transition in North Korea. It was so closely tied with the Kim Jong Il regime that the change at the end of 2011 to the Kim Jong Un (Kim Chŏng’un, 김정은) regime did not proceed altogether smoothly. In August 2013 it was disbanded rather abruptly, causing an international uproar, and signalling the beginning of a wave of other purges leading up to the highest leadership levels. The article attempts to shed light on the nature of the Orchestra as a North Korean cultural phenomenon and the reasons for its sudden ending, trying to dispel some of the disinformation surrounding the event.\",\"PeriodicalId\":40316,\"journal\":{\"name\":\"European Journal of Korean Studies\",\"volume\":\"30 1\",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2018-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"European Journal of Korean Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.33526/EJKS.20181801.63\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ASIAN STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"European Journal of Korean Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.33526/EJKS.20181801.63","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ASIAN STUDIES","Score":null,"Total":0}
引用次数: 1
摘要
Ŭnhasu乐团是2009-2013年朝鲜的主要乐团。它建立了金正日(Kim Chŏng如果김정일)和年轻的音乐家和歌手由两性组成,他们中的一些人在研究了国外高等教育机构在国家如奥地利、意大利、俄罗斯和中国。其成员代表了朝鲜社会的核心阶层。从表面上看,这是为了展示朝鲜艺术的高质量,并在这一层面上参与国际文化外交,包括实地参观,以及DVD和互联网出版。除了国内音乐会,Ŭnhasu乐团还与来访的俄罗斯艺术家一起演出,并于2012年在巴黎举办了一场音乐会。Ŭnhasu管弦乐团也体现了北韩政权过渡的问题。它与金正日政权的关系如此紧密,以至于2011年底金正恩(Kim Jong Un)政权的更迭并没有完全顺利进行。2013年8月,它突然解散,引起了国际上的一片哗然,并标志着一波其他清洗浪潮的开始,导致最高领导层。这篇文章试图揭示乐团作为一种朝鲜文化现象的性质和突然解散的原因,试图消除围绕该事件的一些不实信息。
The Ŭnhasu Orchestra was a major North Korean ensemble in 2009–2013. It was established by Kim Jong Il (Kim Chŏng’il, 김정일) and was composed of young musicians and singers of both genders, several of them having studied in foreign higher educational institutions in countries like Austria, Italy, Russia and China. Its members represented the core class of the North Korean society. It was ostensibly meant to display the high quality of North Korean art and engage at this level also in international cultural diplomacy, both in terms of physical visits, and in terms of DVD and internet publishing. In addition to domestic concerts, the Ŭnhasu Orchestra performed with visiting Russian artists, and gave a concert in Paris in 2012. The Ŭnhasu Orchestra exemplifies also the problems with regime transition in North Korea. It was so closely tied with the Kim Jong Il regime that the change at the end of 2011 to the Kim Jong Un (Kim Chŏng’un, 김정은) regime did not proceed altogether smoothly. In August 2013 it was disbanded rather abruptly, causing an international uproar, and signalling the beginning of a wave of other purges leading up to the highest leadership levels. The article attempts to shed light on the nature of the Orchestra as a North Korean cultural phenomenon and the reasons for its sudden ending, trying to dispel some of the disinformation surrounding the event.