{"title":"“…——论虚构的“天才”的困难。约翰·戈特弗里德·赫尔德关于莎士比亚的文章(1773)与埃贡·弗里德尔关于莎士比亚的文章(1911)的对比","authors":"Mike Porath","doi":"10.18276/cgs.2019.28-05","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":52642,"journal":{"name":"Colloquia Germanica Stetinensia","volume":"24 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"„... in every line facing up to Shakespeare“ – On the difficulty of the fictionalized ‘genius’. Johann Gottfried Herder’s essay about Shakespeare (1773) as compared to Egon Friedell’s essay about Shakespeare (1911)\",\"authors\":\"Mike Porath\",\"doi\":\"10.18276/cgs.2019.28-05\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":52642,\"journal\":{\"name\":\"Colloquia Germanica Stetinensia\",\"volume\":\"24 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Colloquia Germanica Stetinensia\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.18276/cgs.2019.28-05\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Colloquia Germanica Stetinensia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18276/cgs.2019.28-05","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
„... in every line facing up to Shakespeare“ – On the difficulty of the fictionalized ‘genius’. Johann Gottfried Herder’s essay about Shakespeare (1773) as compared to Egon Friedell’s essay about Shakespeare (1911)