十八世纪手稿诗歌杂记和印刷手稿界面

IF 0.4 3区 社会学 Q4 MATERIALS SCIENCE, CHARACTERIZATION & TESTING HUNTINGTON LIBRARY QUARTERLY Pub Date : 2021-07-22 DOI:10.1353/hlq.2021.0016
Betty A. Schellenberg
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引用次数: 0

摘要

摘要:本文主张在杂志与个人诗歌杂集的交界处拓展图书史工作。散文集在18世纪是一种广泛使用的体裁,但在很大程度上仍然不为学者所知。这种体裁形成了一个有趣的档案,其中包括它如何适应和利用新发展的18世纪期刊,特别是杂志的印刷形式。诗歌杂记存在于新的印刷形式和文学生产的既定策略的交叉点,并通过手稿交换建立网络,揭示了读者(其中许多是女性)如何“入侵”印刷诗歌,这些诗歌提供了私人的、可转移的影响,然后他们可以重新利用这些影响来达到自己的目的。这种动态交流的一个产物是基于手稿的诗歌的反经典,与既定的印刷经典有很大不同。
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Eighteenth-Century Manuscript Verse Miscellanies and the Print–Manuscript Interface
abstract:This essay argues for an expansion of the work of book history at the interface between the magazine and the personal verse miscellany. The manuscript verse miscellany was a widely practiced genre in the eighteenth century but has remained largely invisible to scholars. The genre forms an archive of interest for, among other things, how it adapts to, and exploits, the newly developed eighteenth-century print form of the periodical, especially the magazine. Existing at the intersection of new print forms and established strategies of literary production and networking through manuscript exchange, the verse miscellany reveals how readers, many of them women, "hacked" printed poetry that offered private, transferable affect that they could then repurpose to their own ends. One product of this dynamic exchange is a countercanon of manuscript-based poetry that varies significantly from the established print canon.
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来源期刊
HUNTINGTON LIBRARY QUARTERLY
HUNTINGTON LIBRARY QUARTERLY HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.40
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0
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