奥斯曼时期西化在宗教建筑中的反思:巴利亚清真寺的立面布置

IF 0.3 3区 艺术学 0 ARCHITECTURE International Journal of Islamic Architecture Pub Date : 2023-06-28 DOI:10.18860/jia.v7i3.20630
A. Erarslan
{"title":"奥斯曼时期西化在宗教建筑中的反思:巴利亚清真寺的立面布置","authors":"A. Erarslan","doi":"10.18860/jia.v7i3.20630","DOIUrl":null,"url":null,"abstract":"The conceptualization of Western architecture became a prominent force in Ottoman architecture with the advent of the period of westernization that started at the beginning of the eighteenth century during the Tulip Era (1718-1730). The most important cultural dynamic that changed the course of Ottoman architecture was the imported architectural styles that originated in Europe. Welcoming the western influence became a state policy that persevered throughout the nineteenth century. In this century, the western-based architectural perspective of the Armenian-Ottoman Balyan Family came to the forefront. The Balyan Family of architects created an original architectural language by blending the elements of western and traditional architecture, justifiably imprinting their stamp on the Ottoman architecture of the nineteenth century. While predominantly producing civil and official buildings, the Balyan Family's mosques also stood out in this period with their new design features. This article seeks to present and analyze the arrangements and elements of the facades of eight mosques built by the Balyan Family in the 19th century, namely the Büyük Mecidiye Mosque, Küçük Mecidiye Mosque, Dolmabahçe Mosque, Nusretiye Mosque, Yıldız Hamidiye Mosque, Pertevniyal Valide Sultan Mosque, Teşvikiye Mosque, and Sadabad Mosque. ","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":"47 1","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2023-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Reflections of the Ottoman Period of Westernization in Religious Architecture: Facade Arrangement of the Balyan Mosques\",\"authors\":\"A. Erarslan\",\"doi\":\"10.18860/jia.v7i3.20630\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The conceptualization of Western architecture became a prominent force in Ottoman architecture with the advent of the period of westernization that started at the beginning of the eighteenth century during the Tulip Era (1718-1730). The most important cultural dynamic that changed the course of Ottoman architecture was the imported architectural styles that originated in Europe. Welcoming the western influence became a state policy that persevered throughout the nineteenth century. In this century, the western-based architectural perspective of the Armenian-Ottoman Balyan Family came to the forefront. The Balyan Family of architects created an original architectural language by blending the elements of western and traditional architecture, justifiably imprinting their stamp on the Ottoman architecture of the nineteenth century. While predominantly producing civil and official buildings, the Balyan Family's mosques also stood out in this period with their new design features. This article seeks to present and analyze the arrangements and elements of the facades of eight mosques built by the Balyan Family in the 19th century, namely the Büyük Mecidiye Mosque, Küçük Mecidiye Mosque, Dolmabahçe Mosque, Nusretiye Mosque, Yıldız Hamidiye Mosque, Pertevniyal Valide Sultan Mosque, Teşvikiye Mosque, and Sadabad Mosque. \",\"PeriodicalId\":41944,\"journal\":{\"name\":\"International Journal of Islamic Architecture\",\"volume\":\"47 1\",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-06-28\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"International Journal of Islamic Architecture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.18860/jia.v7i3.20630\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ARCHITECTURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Islamic Architecture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18860/jia.v7i3.20630","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHITECTURE","Score":null,"Total":0}
引用次数: 0

摘要

随着18世纪初郁金香时代(1718-1730)开始的西化时期的到来,西方建筑的概念化成为奥斯曼建筑中的一股突出力量。改变奥斯曼建筑进程的最重要的文化动力是源自欧洲的外来建筑风格。欢迎西方的影响成为一项贯穿整个19世纪的国策。在本世纪,以西方为基础的亚美尼亚-奥斯曼巴尔扬家族的建筑观点走到了最前沿。巴尔扬家族的建筑师通过融合西方和传统建筑的元素,创造了一种原创的建筑语言,理所当然地在19世纪的奥斯曼建筑上留下了他们的印记。在主要生产民用和官方建筑的同时,巴尔扬家族的清真寺也以其新的设计特色在这一时期脱颖而出。本文试图呈现和分析巴尔扬家族在19世纪建造的八座清真寺的立面布置和元素,分别是:b yy k Mecidiye清真寺、k k Mecidiye清真寺、dolmabahe清真寺、Nusretiye清真寺、Yıldız Hamidiye清真寺、Pertevniyal Valide苏丹清真寺、te vikiye清真寺和Sadabad清真寺。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Reflections of the Ottoman Period of Westernization in Religious Architecture: Facade Arrangement of the Balyan Mosques
The conceptualization of Western architecture became a prominent force in Ottoman architecture with the advent of the period of westernization that started at the beginning of the eighteenth century during the Tulip Era (1718-1730). The most important cultural dynamic that changed the course of Ottoman architecture was the imported architectural styles that originated in Europe. Welcoming the western influence became a state policy that persevered throughout the nineteenth century. In this century, the western-based architectural perspective of the Armenian-Ottoman Balyan Family came to the forefront. The Balyan Family of architects created an original architectural language by blending the elements of western and traditional architecture, justifiably imprinting their stamp on the Ottoman architecture of the nineteenth century. While predominantly producing civil and official buildings, the Balyan Family's mosques also stood out in this period with their new design features. This article seeks to present and analyze the arrangements and elements of the facades of eight mosques built by the Balyan Family in the 19th century, namely the Büyük Mecidiye Mosque, Küçük Mecidiye Mosque, Dolmabahçe Mosque, Nusretiye Mosque, Yıldız Hamidiye Mosque, Pertevniyal Valide Sultan Mosque, Teşvikiye Mosque, and Sadabad Mosque. 
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.50
自引率
0.00%
发文量
33
期刊介绍: The International Journal of Islamic Architecture (IJIA) publishes bi-annually, peer-reviewed articles on the urban design and planning, architecture and landscape architecture of the historic Islamic world, encompassing the Middle East and parts of Africa and Asia, but also the more recent geographies of Islam in its global dimensions. The main emphasis is on the detailed analysis of the practical, historical and theoretical aspects of architecture, with a focus on both design and its reception. The journal also aims to encourage dialogue and discussion between practitioners and scholars. Articles that bridge the academic-practitioner divide are highly encouraged. While the main focus is on architecture, papers that explore architecture from other disciplinary perspectives, such as art, history, archaeology, anthropology, culture, spirituality, religion and economics are also welcome. The journal is specifically interested in contemporary architecture and urban design in relation to social and cultural history, geography, politics, aesthetics, technology and conservation. Spanning across cultures and disciplines, IJIA seeks to analyse and explain issues related to the built environment throughout the regions covered. The audience of this journal includes both practitioners and scholars. The journal publishes both online and in print. The first issue was published in January 2012.
期刊最新文献
Cultural Heritage-Led Regeneration of Historic Cities: A Strategic Intervention for the Metropolis of Tehran From Granada to Berlin: The Alhambra Cupola, Anna McSweeney (2020) Climate Change Adaptation in the Built Environment: Lessons from a Geographical Transect of Indus River Basin Settlements The Stage of Dissemination: The Transformation of Architectural Concepts in Iranian Architectural Journals (1941–1967) Cultural Exchange vs. Marginality: A Project for an Islamic Culture House in Genoa, Italy
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1