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引用次数: 0
摘要
随着18世纪初郁金香时代(1718-1730)开始的西化时期的到来,西方建筑的概念化成为奥斯曼建筑中的一股突出力量。改变奥斯曼建筑进程的最重要的文化动力是源自欧洲的外来建筑风格。欢迎西方的影响成为一项贯穿整个19世纪的国策。在本世纪,以西方为基础的亚美尼亚-奥斯曼巴尔扬家族的建筑观点走到了最前沿。巴尔扬家族的建筑师通过融合西方和传统建筑的元素,创造了一种原创的建筑语言,理所当然地在19世纪的奥斯曼建筑上留下了他们的印记。在主要生产民用和官方建筑的同时,巴尔扬家族的清真寺也以其新的设计特色在这一时期脱颖而出。本文试图呈现和分析巴尔扬家族在19世纪建造的八座清真寺的立面布置和元素,分别是:b yy k Mecidiye清真寺、k k Mecidiye清真寺、dolmabahe清真寺、Nusretiye清真寺、Yıldız Hamidiye清真寺、Pertevniyal Valide苏丹清真寺、te vikiye清真寺和Sadabad清真寺。
Reflections of the Ottoman Period of Westernization in Religious Architecture: Facade Arrangement of the Balyan Mosques
The conceptualization of Western architecture became a prominent force in Ottoman architecture with the advent of the period of westernization that started at the beginning of the eighteenth century during the Tulip Era (1718-1730). The most important cultural dynamic that changed the course of Ottoman architecture was the imported architectural styles that originated in Europe. Welcoming the western influence became a state policy that persevered throughout the nineteenth century. In this century, the western-based architectural perspective of the Armenian-Ottoman Balyan Family came to the forefront. The Balyan Family of architects created an original architectural language by blending the elements of western and traditional architecture, justifiably imprinting their stamp on the Ottoman architecture of the nineteenth century. While predominantly producing civil and official buildings, the Balyan Family's mosques also stood out in this period with their new design features. This article seeks to present and analyze the arrangements and elements of the facades of eight mosques built by the Balyan Family in the 19th century, namely the Büyük Mecidiye Mosque, Küçük Mecidiye Mosque, Dolmabahçe Mosque, Nusretiye Mosque, Yıldız Hamidiye Mosque, Pertevniyal Valide Sultan Mosque, Teşvikiye Mosque, and Sadabad Mosque.
期刊介绍:
The International Journal of Islamic Architecture (IJIA) publishes bi-annually, peer-reviewed articles on the urban design and planning, architecture and landscape architecture of the historic Islamic world, encompassing the Middle East and parts of Africa and Asia, but also the more recent geographies of Islam in its global dimensions. The main emphasis is on the detailed analysis of the practical, historical and theoretical aspects of architecture, with a focus on both design and its reception. The journal also aims to encourage dialogue and discussion between practitioners and scholars. Articles that bridge the academic-practitioner divide are highly encouraged. While the main focus is on architecture, papers that explore architecture from other disciplinary perspectives, such as art, history, archaeology, anthropology, culture, spirituality, religion and economics are also welcome. The journal is specifically interested in contemporary architecture and urban design in relation to social and cultural history, geography, politics, aesthetics, technology and conservation. Spanning across cultures and disciplines, IJIA seeks to analyse and explain issues related to the built environment throughout the regions covered. The audience of this journal includes both practitioners and scholars. The journal publishes both online and in print. The first issue was published in January 2012.