“镜头。走在雅典的大街上,教育人们的目光

Alessandra Carlini
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摘要

这篇文章探讨了景观作为一种通过运动和凝视体验的重写本的叙事能力。通过阅读Dimitris Pikionis在雅典(1954-1958)的项目,我们有机会反思“旅行”和“逗留”的认知潜力,以及能够在土壤形式和人类形式之间建立真实关系的地理,以应对可能损害卫城周围地区完整性的建筑压力。《美学地形》(1935)概述了指导Pikionis在这些地方工作的理论框架,为当代建筑文化提供了丰富的经验,这些经验有助于重新获得具体化的知识,以及如何教育人们的目光来询问敏感的现实。
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Geografie lente. Percorrere le strade di Atene per educare lo sguardo
The essay deals with an investigation into the narrative capacity of the landscape as a palimpsest experienced through movement and gaze. The opportunity to reflect on the cognitive potential of ‘traveling’ and ‘staying’, of a geography capable of making the authentic relationships between the form of the soil and the anthropic form eloquent, is offered by reading the project by Dimitris Pikionis in Athens (1954-1958) to respond to building pressure that risked compromising the in- tegrity of the areas around the Acropolis. It is the essay Aesthetic Topography (1935) that outlines the theoretical framework that guides Pikionis’ work in these places, suggesting to contemporary architectural culture, a wealth of experiences useful for regaining an embodied knowledge, a les- son on how to educate the gaze to interrogate sensitive reality.
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