后现代反故事的女性主义建筑:空间、时间和身体/肯德拉·雷诺兹(书评)

4区 文学 Q2 Arts and Humanities Marvels & Tales-Journal of Fairy-Tale Studies Pub Date : 2023-03-06 DOI:10.1353/mat.2022.0050
Amy Greenhough
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Do Rozario’s clever turns of phrase inject the compelling analysis with sparkle and wit, as when she observes of situations where cannibalistic ogres accidentally eat their own children, lacking golden crowns or chains to tell them apart from regular human children: “Without sartorial markers, the body is only so much meat” (276). This sack of meat concurs, and henceforth recommends Do Rozario’s book as one of the more stimulating contributions to fairy-tale studies in a good long while. 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引用次数: 0

摘要

《奇迹与故事》:《童话研究杂志》,第36卷,第1期,2022年第136期。巴西莱的《La Gatta Cenerentola》让多·罗萨里奥推测了奢侈法对这些故事的影响,假设这些不受欢迎的英雄们为了吸引有钱的追求者的眼球,巧妙地违反了阶级允许的社会规范,就像早期现代性工作者可能做的那样。第四章着重于服装的生产,它暴露了许多社会不平等:性别之间的不平等,统治阶级和工人阶级之间的不平等,等等。在第五章中,鞋类占据了舞台,从佩诺特的玻璃与毛皮拖鞋的争论和穿靴子的猫到安徒生注定的红色舞鞋。第六章将焦点转向仙女本身,确定这些捐赠人物可能看起来平淡无奇,但仙女越邪恶,服装就越古怪。讲故事的人自己也在镜头下,鹅妈妈的表现进入了农妇和女巫的领域,而男性讲故事的人则以“明显的文学”和父亲的方式被描绘出来(249)。性别是一个持久的主题,这是有充分理由的:Do Rozario在她的介绍结束时评论说,“时尚和童话都被视为女性关注的领域”(37),这两个领域都被贬低为微不足道,即使它们展示了几个世纪以来关于女性性和权力的激烈辩论。当她观察到食人魔不小心吃掉了自己的孩子,没有金冠或链子来区分他们与普通人类孩子的情况时,Do Rozario巧妙的措辞为引人注目的分析注入了火花和智慧:“没有裁缝标记,身体就只有这么多肉”(276)。这一袋肉对此表示赞同,并因此推荐Do Rozario的书,认为它是很长一段时间以来对童话研究最具刺激性的贡献之一。Jeana Jorgensen Butler大学
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The Feminist Architecture of Postmodern Anti-Tales: Space, Time, and Bodies by Kendra Reynolds (review)
Marvels & Tales: Journal of Fairy-Tale Studies, Vol. 36, No. 1, 2022 136 Basile’s “La Gatta Cenerentola,” allows Do Rozario to speculate on the influence of sumptuary laws on these tales, positing that these underdog heroes cannily transgress against social norms of class-permitted dress in order to catch the eye of wealthy suitors, much like early modern sex workers might have done. Chapter 4 focuses on the production of clothing, which lays bare numerous social inequalities: those between the genders, between the ruling class and the working class, and so on. In chapter 5, footwear takes the stage, ranging from the Perrault glass versus fur slipper controversy and Puss in Boots to Andersen’s doomed red dancing shoes. Chapter 6 turns the focus onto fairies themselves, determining that these donor figures may look plain, but the more wicked the fairy, the more outlandish the outfit. Storytellers themselves also come under the lens, with representations of Mother Goose crossing into peasant woman and witch territory, while male storytellers are depicted in ways that are “clearly literary” and paternal (249). Gender is a persistent theme, and for good reason: Do Rozario comments while closing her introduction that “both fashion and fairy tales are viewed as feminine spheres of concern” (37), with both realms being demeaned as trivial even as they display the intense centuries-long debate over women’s sexuality and power. Do Rozario’s clever turns of phrase inject the compelling analysis with sparkle and wit, as when she observes of situations where cannibalistic ogres accidentally eat their own children, lacking golden crowns or chains to tell them apart from regular human children: “Without sartorial markers, the body is only so much meat” (276). This sack of meat concurs, and henceforth recommends Do Rozario’s book as one of the more stimulating contributions to fairy-tale studies in a good long while. Jeana Jorgensen Butler University
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期刊介绍: Marvels & Tales (ISSN: 1521-4281) was founded in 1987 by Jacques Barchilon at the University of Colorado, Boulder. Originally known as Merveilles & contes, the journal expressed its role as an international forum for folktale and fairy-tale scholarship through its various aliases: Wunder & Märchen, Maravillas & Cuentos, Meraviglie & Racconti, and Marvels & Tales. In 1997, the journal moved to Wayne State University Press and took the definitive title Marvels & Tales: Journal of Fairy-Tale Studies. From the start, Marvels & Tales has served as a central forum for the multidisciplinary study of fairy tales. In its pages, contributors from around the globe have published studies, texts, and translations of fairy-tales from Europe, North America, Asia, and Africa. The Editorial Policy of Marvels & Tales encourages scholarship that introduces new areas of fairy-tale scholarship, as well as research that considers the traditional fairy-tale canon from new perspectives. The journal''s special issues have been particularly popular and have focused on topics such as "Beauty and the Beast," "The Romantic Tale," "Charles Perrault," "Marriage Tests and Marriage Quest in African Oral Literature," "The Italian Tale," and "Angela Carter and the Literary Märchen." Marvels & Tales is published every April and October by Wayne State University Press.
期刊最新文献
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