{"title":"塞勒姆皮博迪埃塞克斯博物馆的巫术的过去和现在","authors":"Helen A. Berger","doi":"10.1558/pome.22069","DOIUrl":null,"url":null,"abstract":"“Reckoning and Reclaiming,” an exhibition at the Peabody Essex Museum, located in the center of Salem, Massachusetts, ran from September 2021 through March 2022, bringing together materials from the Salem witch trials of 1692 with Frances F. Denny’s photographs of contemporary Witches and a video of Alexander McQueen’s’ haute couture fashion show that he claimed was inspired by the trials. The mix of old and new witchcraft was visually jolting. Although the new materials provided some relief from the main part of the show that documents the horror of the state supported terror that was the trials, the mixing and matching of the two did neither full service. It further-more served as its own form of commercialization of witchcraft; something that in the past that the museum has avoided.","PeriodicalId":41407,"journal":{"name":"Pomegranate","volume":"30 1","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2022-04-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Witchcraft Past and Present at the Peabody Essex Museum in Salem\",\"authors\":\"Helen A. Berger\",\"doi\":\"10.1558/pome.22069\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"“Reckoning and Reclaiming,” an exhibition at the Peabody Essex Museum, located in the center of Salem, Massachusetts, ran from September 2021 through March 2022, bringing together materials from the Salem witch trials of 1692 with Frances F. Denny’s photographs of contemporary Witches and a video of Alexander McQueen’s’ haute couture fashion show that he claimed was inspired by the trials. The mix of old and new witchcraft was visually jolting. Although the new materials provided some relief from the main part of the show that documents the horror of the state supported terror that was the trials, the mixing and matching of the two did neither full service. It further-more served as its own form of commercialization of witchcraft; something that in the past that the museum has avoided.\",\"PeriodicalId\":41407,\"journal\":{\"name\":\"Pomegranate\",\"volume\":\"30 1\",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-04-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Pomegranate\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1558/pome.22069\",\"RegionNum\":4,\"RegionCategory\":\"哲学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"RELIGION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Pomegranate","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1558/pome.22069","RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"RELIGION","Score":null,"Total":0}
引用次数: 0
摘要
位于马萨诸塞州塞勒姆市中心的皮博迪埃塞克斯博物馆(Peabody Essex Museum)将于2021年9月至2022年3月举办“审判与回收”(Reckoning and Reclaiming)展览,展览汇集了1692年塞勒姆女巫审判的材料、弗朗西斯·f·丹尼(Frances F. Denny)拍摄的当代女巫照片,以及亚历山大·麦昆(Alexander McQueen)的高级定制时装秀视频,他声称自己的灵感来自审判。新旧巫术的混合在视觉上令人震撼。虽然新材料提供了一些救济的主要部分,记录了恐怖的国家支持的恐怖审判,两者的混合和匹配都没有充分发挥作用。它更是巫术商业化的一种形式;这是博物馆过去一直避免的事情。
Witchcraft Past and Present at the Peabody Essex Museum in Salem
“Reckoning and Reclaiming,” an exhibition at the Peabody Essex Museum, located in the center of Salem, Massachusetts, ran from September 2021 through March 2022, bringing together materials from the Salem witch trials of 1692 with Frances F. Denny’s photographs of contemporary Witches and a video of Alexander McQueen’s’ haute couture fashion show that he claimed was inspired by the trials. The mix of old and new witchcraft was visually jolting. Although the new materials provided some relief from the main part of the show that documents the horror of the state supported terror that was the trials, the mixing and matching of the two did neither full service. It further-more served as its own form of commercialization of witchcraft; something that in the past that the museum has avoided.