普罗塞菲娜的碎片:克劳狄安对她的强奸

IF 0.2 4区 历史学 0 CLASSICS RAMUS-CRITICAL STUDIES IN GREEK AND ROMAN LITERATURE Pub Date : 2019-06-01 DOI:10.1017/rmu.2019.10
Sigrid Schottenius Cullhed
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引用次数: 1

摘要

花梗内的花梗小,犬牙状的还原形的柱头,短的,无柄的外稃。(狂喜:3.447f.)[火炬的光],更远的地方,到达了锡拉的洞穴——她的狗退后了,一部分因惊讶而沉默,一部分吠叫,仍然毫不畏惧。在这一高潮场面中,克劳狄乌斯·克劳狄阿努斯的拉丁史诗《德·raptu Proserpinae》(l. c.400)《西游记》(AD)的结尾正好是Ceres开始寻找她丢失的女儿。这首诗将《荷马赞美诗》中关于得墨忒耳的神话与许多变化联系起来,最重要的是,当这首诗结束时,母亲和女儿,刻瑞斯和普罗塞佩娜仍然没有团聚。
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PROSERPINA IN PIECES: CLAUDIAN ON HER RAPE
antra procul Scyllaea petit, canibusque reductispars stupefacta silet, pars nondum exterrita latrat.(Claud. Rapt. 3.447f.) [The torch-light], farther away, reaches the cave of Scylla—her dogs drawn back,one part is silent with amazement, one part barks, still undaunted. With this climactic scene, the Latin epic poem De raptu Proserpinae by Claudius Claudianus (fl. c.400 AD) ends just as Ceres sets out to search for her lost daughter. The poem relates the myth primarily known from the Homeric Hymn to Demeter with a great deal of variations, the most crucial one being that mother and daughter, Ceres and Proserpina, are still not reunited when the poem comes to a close.
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CONFLICT, TRAGEDY, AND INTERRACIALITY: BOB THOMPSON PAINTS VERGIL'S CAMILLA THE THIRD LIFECYCLE OF PHILOKLEON IN ARISTOPHANES’ WASPS METAGENRE AND THE COMPETENT AUDIENCE OF PLAUTUS’ CAPTIVI ERASING THE AETHIOPIAN IN CICERO'S POST REDITUM IN SENATU RMU volume 51 issue 2 Cover and Back matter
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