{"title":"看他者:探索智利和秘鲁之间的边境叙事","authors":"Sebastián Reyes Gil","doi":"10.4067/S0718-71812016000200001","DOIUrl":null,"url":null,"abstract":"espanolEl articulo presenta un analisis de tres textos literarios y una serie fotogra\u0001ca sobre la frontera entre Chile y Peru. En los textos seleccionados se explora la mirada chilena sobre el otro peruano, para observar como estas obras descomponen los discursos sobre la identidad. Los materiales seleccionados son: la cronica “Chalaco Amor (sinopsis de novela)” (2004) de Pedro Lemebel; el cuento “El Ojo de Watanabe” (2013) de Andrea Je\u0002anovic; la novela Camanchaca (2009) de Diego Zuniga; y la serie fotogra\u0001ca Tacna (2014) de Paz Errazuriz. Englishis article presents an analysis of three literary texts and one photographic series about the border between Chile and Peru. \u0003rough the selected texts, the essay explores the Chilean gaze over the Peruvian otherness, to see how these works break o\u0004cial discourses on national identities. \u0003e selected works are: the chronicle “Chalaco amor (sinopsis de novela)” (2004), by Pedro Lemebel (2004); the short story “El Ojo de Watanabe” (2013) by Andrea Je\u0002anovic; the short novel Camanchaca (2009) by Diego Zuniga; and the photography series Tacna (2014) by Paz Errazuriz.","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":"16 1","pages":"11-29"},"PeriodicalIF":0.3000,"publicationDate":"2016-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Mirar al Otro: explorando narrativas fronterizas entre Chile y Perú\",\"authors\":\"Sebastián Reyes Gil\",\"doi\":\"10.4067/S0718-71812016000200001\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"espanolEl articulo presenta un analisis de tres textos literarios y una serie fotogra\\u0001ca sobre la frontera entre Chile y Peru. En los textos seleccionados se explora la mirada chilena sobre el otro peruano, para observar como estas obras descomponen los discursos sobre la identidad. Los materiales seleccionados son: la cronica “Chalaco Amor (sinopsis de novela)” (2004) de Pedro Lemebel; el cuento “El Ojo de Watanabe” (2013) de Andrea Je\\u0002anovic; la novela Camanchaca (2009) de Diego Zuniga; y la serie fotogra\\u0001ca Tacna (2014) de Paz Errazuriz. Englishis article presents an analysis of three literary texts and one photographic series about the border between Chile and Peru. \\u0003rough the selected texts, the essay explores the Chilean gaze over the Peruvian otherness, to see how these works break o\\u0004cial discourses on national identities. \\u0003e selected works are: the chronicle “Chalaco amor (sinopsis de novela)” (2004), by Pedro Lemebel (2004); the short story “El Ojo de Watanabe” (2013) by Andrea Je\\u0002anovic; the short novel Camanchaca (2009) by Diego Zuniga; and the photography series Tacna (2014) by Paz Errazuriz.\",\"PeriodicalId\":43414,\"journal\":{\"name\":\"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico\",\"volume\":\"16 1\",\"pages\":\"11-29\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2016-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4067/S0718-71812016000200001\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"PHILOSOPHY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4067/S0718-71812016000200001","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"PHILOSOPHY","Score":null,"Total":0}
引用次数: 0
摘要
espanolEl篇介绍了一个文学三个文本分析和一系列fotogra ca 智利和秘鲁之间的边界。在选定的文本中，我们探索了智利对秘鲁人的看法，以观察这些作品是如何分解关于身份的话语的。选择的材料有:佩德罗·莱梅贝尔(Pedro Lemebel)的编年史《Chalaco Amor(小说简介)》(2004);Watanabe”故事“眼睛(2013年)的安德里亚哈 anovic;迭戈·祖尼加(Diego Zuniga)的小说《卡曼查卡》(Camanchaca, 2009);ca和系列fotogra Errazuriz和平塔(2014年)。Englishis条代表an analysis of三literary texts and one摄影系列about the border智利与秘鲁。粗糙选中texts, the essay explores the货真价实gaze over秘鲁otherness, to see how这些works春假或警员discourses on national identities。和selected works是:纪事”Chalaco爱(小说)”概览(2004),由Pedro Lemebel(2004年);the short story”的眼睛Watanabe”(2013年)由安德里亚哈 anovic;短篇小说《卡曼查卡》(2009)，作者:迭戈·祖尼加;= =地理= =根据美国人口普查，这个县的总面积是，其中土地和(3.064平方公里)水。
Mirar al Otro: explorando narrativas fronterizas entre Chile y Perú
espanolEl articulo presenta un analisis de tres textos literarios y una serie fotograca sobre la frontera entre Chile y Peru. En los textos seleccionados se explora la mirada chilena sobre el otro peruano, para observar como estas obras descomponen los discursos sobre la identidad. Los materiales seleccionados son: la cronica “Chalaco Amor (sinopsis de novela)” (2004) de Pedro Lemebel; el cuento “El Ojo de Watanabe” (2013) de Andrea Jeanovic; la novela Camanchaca (2009) de Diego Zuniga; y la serie fotograca Tacna (2014) de Paz Errazuriz. Englishis article presents an analysis of three literary texts and one photographic series about the border between Chile and Peru. rough the selected texts, the essay explores the Chilean gaze over the Peruvian otherness, to see how these works break ocial discourses on national identities. e selected works are: the chronicle “Chalaco amor (sinopsis de novela)” (2004), by Pedro Lemebel (2004); the short story “El Ojo de Watanabe” (2013) by Andrea Jeanovic; the short novel Camanchaca (2009) by Diego Zuniga; and the photography series Tacna (2014) by Paz Errazuriz.
期刊介绍：
The choice of the name of the journal represents a farewell from the identification of aesthetics with hermeneutics and speculative philosophy of art. It also shows our strong commitment to the irreducibility of aesthetics to a mere psychological fact. The subtitle of the journal “practices, languages and knowledge concerning aesthetics” indicates the present, fertile pluralism of aesthetics. This is a pluralism of views and methods, often connected with the different ways in which contemporary arts and aesthetic abilities present and structure themselves. Also, it is a pluralism of thoughts and formulas, which induces to relativize the western tradition within which the discipline of aesthetics was born. Finally, it is a pluralism of epistemic landscapes, which also trespasses into the sphere of sensibility and art. These various, epistemic landscapes have recently experienced a revolutionary enlargement through the rise of some new or radically renewed disciplines (from neurosciences to anthropology, from cognitive sciences to psychobiology). Indeed, we conceive Aisthesis as a public space where those different approaches and disciplines can interact.
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