希腊悲剧?为什么“迪尔温的伊特鲁里亚陶器”失败了

IF 0.2 4区 历史学 0 CLASSICS BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES Pub Date : 2020-06-01 DOI:10.1093/bics/qbaa007
J. Morgan
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引用次数: 0

摘要

1847年至1850年间,斯旺西的寒武纪陶器制作了“迪尔温的伊特鲁里亚陶器”,这是一系列模仿意大利南部和西西里古墓中发现的红色图案花瓶的花瓶。这些花瓶是卖给“简陋的家庭”的,但它们没有吸引买家,因此停产了。本文探讨了斯旺西“伊特鲁里亚”瓷器花瓶设计和制作的经济和商业环境。它考察了制造商的设计选择与他们对潜在买家的社会、文化和政治愿望的看法之间的关系。它建立了寒武纪陶器的目标客户的身份,并展示了实际问题,如空间,展示和实用性,如何影响买家的选择以及设计。最后,它探讨了社会、文化和宗教理想对工人阶级家庭家庭装饰的影响,并解释了“迪尔温的伊特鲁里亚陶器”失败的原因。
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A Greek tragedy? Why ‘Dillwyn’s Etruscan Ware’ failed*
Between 1847 and 1850, the Cambrian Pottery in Swansea made ‘Dillwyn’s Etruscan Ware’, a range of vases copying the designs of red-figure vases found in south Italian and Sicilian tombs. The vases were made for sale to ‘humble homesteads’, but they did not attract buyers and were discontinued. This article explores the economic and commercial milieu in which the Swansea ‘Etruscan’ ware vases were designed and made. It examines relationships between manufacturers’ design choices and their perceptions of the social, cultural, and political aspirations of intended buyers. It establishes the identity of the Cambrian Pottery’s intended customers and shows how practical issues, such as space, display, and utility, could influence buyers’ choices as well as design. Finally, it explores the influence of social, cultural, and religious ideals on domestic decoration in working-class households, and it offers an explanation of why ‘Dillwyn’s Etruscan Ware’ failed.
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