{"title":"民族刻板印象作为两部商业喜剧的来源:Guten tag, ramon和perdido el Norte","authors":"Veronique Pugibet Ussel","doi":"10.32870/CYS.V0I32.6942","DOIUrl":null,"url":null,"abstract":"Cinema participates in the spreading of national stereotypes that shape part of our perception of the otherness. Guten tag, Ramon (Ramirez-Suarez, 2014) and Perdiendo el Norte (Velilla, 2015) are two popular comedies, Mexican for the first one and Spanish for the second, which narrate different cases of migration to Germany, providing various stereotypes of this country and its inhabitants with diverse purposes.","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2018-03-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Los estereotipos nacionales como resorte de dos comedias comerciales: Guten tag, Ramón y Perdiendo el Norte\",\"authors\":\"Veronique Pugibet Ussel\",\"doi\":\"10.32870/CYS.V0I32.6942\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Cinema participates in the spreading of national stereotypes that shape part of our perception of the otherness. Guten tag, Ramon (Ramirez-Suarez, 2014) and Perdiendo el Norte (Velilla, 2015) are two popular comedies, Mexican for the first one and Spanish for the second, which narrate different cases of migration to Germany, providing various stereotypes of this country and its inhabitants with diverse purposes.\",\"PeriodicalId\":35210,\"journal\":{\"name\":\"Comunicacion y Sociedad\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-03-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Comunicacion y Sociedad\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.32870/CYS.V0I32.6942\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Social Sciences\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Comunicacion y Sociedad","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.32870/CYS.V0I32.6942","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Social Sciences","Score":null,"Total":0}
引用次数: 2
摘要
电影参与了国家刻板印象的传播，这些刻板印象塑造了我们对他者的部分看法。Guten tag, Ramon (Ramirez-Suarez, 2014)和Perdiendo el Norte (Velilla, 2015)是两部受欢迎的喜剧，第一部是墨西哥语，第二部是西班牙语，它们讲述了移民到德国的不同案例，提供了对这个国家及其居民的各种刻板印象，目的也不同。
Los estereotipos nacionales como resorte de dos comedias comerciales: Guten tag, Ramón y Perdiendo el Norte
Cinema participates in the spreading of national stereotypes that shape part of our perception of the otherness. Guten tag, Ramon (Ramirez-Suarez, 2014) and Perdiendo el Norte (Velilla, 2015) are two popular comedies, Mexican for the first one and Spanish for the second, which narrate different cases of migration to Germany, providing various stereotypes of this country and its inhabitants with diverse purposes.
京公网安备 11010802042870号
京ICP备2023020795号-1
分享
求助内容：
应助结果提醒方式：
扫码关注我们
