{"title":"食毒术与悲喜剧:特列夫斯和提斯忒斯的神话式滑稽表演","authors":"M. Haley","doi":"10.1017/rmu.2018.12","DOIUrl":null,"url":null,"abstract":"Teknophagy (τεκνοϕαγία), or child-eating, is an apt subject for tragedy. It introduces the theme of miasma, it escalates violence and epitomises the destructive family feuds that Aristotle prized as the most suitable stories for tragedy. Therefore, unsurprisingly, the teknophagies of Thyestes and Tereus were dramatised in three fifth-century tragedies, all of them preserved only in fragments: Euripides’ Thyestes, Sophokles’ Thyestes (Β) and Sophokles’ Tereus. What is surprising is the appearance of plays by the same titles in the comic tradition, including Tereus plays by Kantharos (C5 BC), Anaxandrides (C4 BC) and Philetairos (C4 BC) along with Diokles’ Thyestes (Β) (late C5 BC to early C4 BC). Therefore, this study will first consider how Tereus’ teknophagy was adapted to mythical burlesques, to then consider how comic adaptations of Thyestes’ teknophagy influenced Seneca's Thyestes.","PeriodicalId":43863,"journal":{"name":"RAMUS-CRITICAL STUDIES IN GREEK AND ROMAN LITERATURE","volume":"73 1","pages":"152 - 173"},"PeriodicalIF":0.2000,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"TEKNOPHAGY AND TRAGICOMEDY: THE MYTHIC BURLESQUES OF TEREVS AND THYESTES\",\"authors\":\"M. Haley\",\"doi\":\"10.1017/rmu.2018.12\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Teknophagy (τεκνοϕαγία), or child-eating, is an apt subject for tragedy. It introduces the theme of miasma, it escalates violence and epitomises the destructive family feuds that Aristotle prized as the most suitable stories for tragedy. Therefore, unsurprisingly, the teknophagies of Thyestes and Tereus were dramatised in three fifth-century tragedies, all of them preserved only in fragments: Euripides’ Thyestes, Sophokles’ Thyestes (Β) and Sophokles’ Tereus. What is surprising is the appearance of plays by the same titles in the comic tradition, including Tereus plays by Kantharos (C5 BC), Anaxandrides (C4 BC) and Philetairos (C4 BC) along with Diokles’ Thyestes (Β) (late C5 BC to early C4 BC). Therefore, this study will first consider how Tereus’ teknophagy was adapted to mythical burlesques, to then consider how comic adaptations of Thyestes’ teknophagy influenced Seneca's Thyestes.\",\"PeriodicalId\":43863,\"journal\":{\"name\":\"RAMUS-CRITICAL STUDIES IN GREEK AND ROMAN LITERATURE\",\"volume\":\"73 1\",\"pages\":\"152 - 173\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2018-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"RAMUS-CRITICAL STUDIES IN GREEK AND ROMAN LITERATURE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/rmu.2018.12\",\"RegionNum\":4,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"CLASSICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"RAMUS-CRITICAL STUDIES IN GREEK AND ROMAN LITERATURE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/rmu.2018.12","RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"CLASSICS","Score":null,"Total":0}
引用次数: 1
摘要
啃咬小孩(τεκνο ο αγ γ terminal),或称吃小孩,是悲剧的合适题材。它引入了瘴气的主题,它升级了暴力,并集中体现了亚里士多德认为最适合悲剧故事的破坏性家庭不和。因此,意料之中的是,五世纪的三部悲剧都将提俄斯忒斯和泰诺斯的食人故事戏剧化了,它们都只以碎片的形式保存了下来:欧里庇得斯的《提俄斯忒斯》,索福克勒斯的《提俄斯忒斯》(Β)和索福克勒斯的《泰诺斯》。令人惊讶的是,在喜剧传统中出现了相同标题的戏剧,包括坎萨罗斯(公元前5年),阿纳克桑德(公元前4年)和菲利泰罗斯(公元前4年)的泰诺斯剧,以及迪奥克勒斯的提斯忒斯(Β)(公元前5年晚期至公元前4年早期)。因此,本研究将首先考虑泰诺斯的食毒术是如何被改编成神话滑剧的,然后考虑对提俄斯忒斯的食毒术的喜剧改编是如何影响塞内卡的提俄斯忒斯的。
TEKNOPHAGY AND TRAGICOMEDY: THE MYTHIC BURLESQUES OF TEREVS AND THYESTES
Teknophagy (τεκνοϕαγία), or child-eating, is an apt subject for tragedy. It introduces the theme of miasma, it escalates violence and epitomises the destructive family feuds that Aristotle prized as the most suitable stories for tragedy. Therefore, unsurprisingly, the teknophagies of Thyestes and Tereus were dramatised in three fifth-century tragedies, all of them preserved only in fragments: Euripides’ Thyestes, Sophokles’ Thyestes (Β) and Sophokles’ Tereus. What is surprising is the appearance of plays by the same titles in the comic tradition, including Tereus plays by Kantharos (C5 BC), Anaxandrides (C4 BC) and Philetairos (C4 BC) along with Diokles’ Thyestes (Β) (late C5 BC to early C4 BC). Therefore, this study will first consider how Tereus’ teknophagy was adapted to mythical burlesques, to then consider how comic adaptations of Thyestes’ teknophagy influenced Seneca's Thyestes.