{"title":"托马斯·哈代的代表作是小说与人格","authors":"Jean-Charles Perquin","doi":"10.4000/CVE.5888","DOIUrl":null,"url":null,"abstract":"Thomas Hardy was born in 1840 and is still known today for the decades he devoted to the art of fiction and the numerous novels and short stories he wrote. But the novelist is far less known for the poetry he persistently composed. In 1898, he suddenly decided to stop writing fiction and devote himself to poetry only. This paper intends to explore not only his choice but the way Hardy always had of resorting to both fiction and poetry, as if the limit were but artificial and alien to his art.","PeriodicalId":41197,"journal":{"name":"CAHIERS VICTORIENS & EDOUARDIENS","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2009-04-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Thomas Hardy entre fiction et poésie\",\"authors\":\"Jean-Charles Perquin\",\"doi\":\"10.4000/CVE.5888\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Thomas Hardy was born in 1840 and is still known today for the decades he devoted to the art of fiction and the numerous novels and short stories he wrote. But the novelist is far less known for the poetry he persistently composed. In 1898, he suddenly decided to stop writing fiction and devote himself to poetry only. This paper intends to explore not only his choice but the way Hardy always had of resorting to both fiction and poetry, as if the limit were but artificial and alien to his art.\",\"PeriodicalId\":41197,\"journal\":{\"name\":\"CAHIERS VICTORIENS & EDOUARDIENS\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2009-04-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CAHIERS VICTORIENS & EDOUARDIENS\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4000/CVE.5888\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, BRITISH ISLES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CAHIERS VICTORIENS & EDOUARDIENS","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4000/CVE.5888","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, BRITISH ISLES","Score":null,"Total":0}
Thomas Hardy was born in 1840 and is still known today for the decades he devoted to the art of fiction and the numerous novels and short stories he wrote. But the novelist is far less known for the poetry he persistently composed. In 1898, he suddenly decided to stop writing fiction and devote himself to poetry only. This paper intends to explore not only his choice but the way Hardy always had of resorting to both fiction and poetry, as if the limit were but artificial and alien to his art.
期刊介绍：
Les Cahiers victoriens et édouardiens publient depuis 1974 deux numéros par an, l’un sur des sujets et écrivains variés, l’autre consacré à un auteur ou à un thème. Les Cahiers s’intéressent non seulement à la littérature, mais aussi à tous les aspects de la civilisation de l’époque, et accueillent des méthodes critiques variées. Ils publient aussi des comptes rendus d’ouvrages et des résumés de thèses récemment soutenues sur le sujet. Des articles peuvent être soumis en vue d’une publication éventuelle (règles de présentation du M.L.A. Handbook).
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