{"title":"里卡多·皮格利亚:名字的虚构","authors":"Raquel Fernández Cobo","doi":"10.5944/signa.vol29.2020.23399","DOIUrl":null,"url":null,"abstract":"Abstract: The present study analyzes the three volumes of Los diarios de Emilio Renzi in relation to his previous work, within what Lejeune called “the autobiographical space”. We study how Piglia finds through diary and autobiography the ideal way to narrate the experience of life: the autobiographical genre mainly allows the author of artificial respiration to invent itself through three fundamental strategies: the construction of a family and literary lineage; the fiction of the proper name and the intertextuality, that is, the appropriation of other readings not only as aesthetics but as ethics.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"RICARDO PIGLIA: LA FICCIÓN DEL NOMBRE\",\"authors\":\"Raquel Fernández Cobo\",\"doi\":\"10.5944/signa.vol29.2020.23399\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract: The present study analyzes the three volumes of Los diarios de Emilio Renzi in relation to his previous work, within what Lejeune called “the autobiographical space”. We study how Piglia finds through diary and autobiography the ideal way to narrate the experience of life: the autobiographical genre mainly allows the author of artificial respiration to invent itself through three fundamental strategies: the construction of a family and literary lineage; the fiction of the proper name and the intertextuality, that is, the appropriation of other readings not only as aesthetics but as ethics.\",\"PeriodicalId\":54036,\"journal\":{\"name\":\"Signa-Revista de la Asociacion Espanola de Semiotica\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2020-04-08\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Signa-Revista de la Asociacion Espanola de Semiotica\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5944/signa.vol29.2020.23399\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Signa-Revista de la Asociacion Espanola de Semiotica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5944/signa.vol29.2020.23399","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Abstract: The present study analyzes the three volumes of Los diarios de Emilio Renzi in relation to his previous work, within what Lejeune called “the autobiographical space”. We study how Piglia finds through diary and autobiography the ideal way to narrate the experience of life: the autobiographical genre mainly allows the author of artificial respiration to invent itself through three fundamental strategies: the construction of a family and literary lineage; the fiction of the proper name and the intertextuality, that is, the appropriation of other readings not only as aesthetics but as ethics.
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