{"title":"《伊利亚特》中的“自然文化”","authors":"B. Holmes","doi":"10.1017/RMU.2015.2","DOIUrl":null,"url":null,"abstract":"The true subject of the Iliad, Simone Weil famously wrote, is force. Time and again, ‘the human spirit is shown as modified by its relation with force, as swept away, blinded, by the very force it imagined it could handle, as deformed by the weight of the force it submits to’. Force turns men, perpetrators of violence and its victims alike, into things: objectification is its bane. Homer's clarity about the moral degradation of war, that machine of force, is what makes him, in Weil's accounting, not just the first but the greatest of poets.","PeriodicalId":43863,"journal":{"name":"RAMUS-CRITICAL STUDIES IN GREEK AND ROMAN LITERATURE","volume":"12 1","pages":"29 - 51"},"PeriodicalIF":0.2000,"publicationDate":"2015-11-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"9","resultStr":"{\"title\":\"SITUATING SCAMANDER: ‘NATURECULTURE’ IN THE ILIAD\",\"authors\":\"B. Holmes\",\"doi\":\"10.1017/RMU.2015.2\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The true subject of the Iliad, Simone Weil famously wrote, is force. Time and again, ‘the human spirit is shown as modified by its relation with force, as swept away, blinded, by the very force it imagined it could handle, as deformed by the weight of the force it submits to’. Force turns men, perpetrators of violence and its victims alike, into things: objectification is its bane. Homer's clarity about the moral degradation of war, that machine of force, is what makes him, in Weil's accounting, not just the first but the greatest of poets.\",\"PeriodicalId\":43863,\"journal\":{\"name\":\"RAMUS-CRITICAL STUDIES IN GREEK AND ROMAN LITERATURE\",\"volume\":\"12 1\",\"pages\":\"29 - 51\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2015-11-27\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"9\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"RAMUS-CRITICAL STUDIES IN GREEK AND ROMAN LITERATURE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/RMU.2015.2\",\"RegionNum\":4,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"CLASSICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"RAMUS-CRITICAL STUDIES IN GREEK AND ROMAN LITERATURE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/RMU.2015.2","RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"CLASSICS","Score":null,"Total":0}
The true subject of the Iliad, Simone Weil famously wrote, is force. Time and again, ‘the human spirit is shown as modified by its relation with force, as swept away, blinded, by the very force it imagined it could handle, as deformed by the weight of the force it submits to’. Force turns men, perpetrators of violence and its victims alike, into things: objectification is its bane. Homer's clarity about the moral degradation of war, that machine of force, is what makes him, in Weil's accounting, not just the first but the greatest of poets.
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