{"title":"Karyatid神庙中的土耳其后宫与雅典卫城的对抗性叙述","authors":"J. Z. van Rookhuijzen","doi":"10.30549/opathrom-14-16","DOIUrl":null,"url":null,"abstract":"According to received history, the Karyatid Temple on the Acropolis of Athens (commonly known as the “Erechtheion”) was, in the city’s first Ottoman period (1456–1687), converted into a Turkish harem. In this article, I investigate the story by scrutinizing sources from this period. I argue that the notion of the harem, although historically suspect, found fertile ground in an orientalist worldview that has been prevalent among western visitors and scholars. I propose that the tale may have been inspired by the temple’s conspicuous Karyatid statues. I close by considering the story of the harem as part of a phenomenon of “antagonistic narratives” (stories that concern the desecration or destruction of monuments by enemies) in history and archaeology. The article offers new perspectives on later uses of and stories about the Karyatid Temple, on western attitudes towards the presence of Turks in Greece, and on the role that material remains can play in the creation of narratives about the past.","PeriodicalId":51997,"journal":{"name":"Opuscula-Annual of the Swedish Institutes at Athens and Rome","volume":"44 1","pages":""},"PeriodicalIF":0.6000,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Turkish harem in the Karyatid Temple and antagonistic narratives on the Athenian Acropolis\",\"authors\":\"J. Z. van Rookhuijzen\",\"doi\":\"10.30549/opathrom-14-16\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"According to received history, the Karyatid Temple on the Acropolis of Athens (commonly known as the “Erechtheion”) was, in the city’s first Ottoman period (1456–1687), converted into a Turkish harem. In this article, I investigate the story by scrutinizing sources from this period. I argue that the notion of the harem, although historically suspect, found fertile ground in an orientalist worldview that has been prevalent among western visitors and scholars. I propose that the tale may have been inspired by the temple’s conspicuous Karyatid statues. I close by considering the story of the harem as part of a phenomenon of “antagonistic narratives” (stories that concern the desecration or destruction of monuments by enemies) in history and archaeology. The article offers new perspectives on later uses of and stories about the Karyatid Temple, on western attitudes towards the presence of Turks in Greece, and on the role that material remains can play in the creation of narratives about the past.\",\"PeriodicalId\":51997,\"journal\":{\"name\":\"Opuscula-Annual of the Swedish Institutes at Athens and Rome\",\"volume\":\"44 1\",\"pages\":\"\"},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2021-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Opuscula-Annual of the Swedish Institutes at Athens and Rome\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.30549/opathrom-14-16\",\"RegionNum\":3,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ARCHAEOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Opuscula-Annual of the Swedish Institutes at Athens and Rome","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30549/opathrom-14-16","RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHAEOLOGY","Score":null,"Total":0}
The Turkish harem in the Karyatid Temple and antagonistic narratives on the Athenian Acropolis
According to received history, the Karyatid Temple on the Acropolis of Athens (commonly known as the “Erechtheion”) was, in the city’s first Ottoman period (1456–1687), converted into a Turkish harem. In this article, I investigate the story by scrutinizing sources from this period. I argue that the notion of the harem, although historically suspect, found fertile ground in an orientalist worldview that has been prevalent among western visitors and scholars. I propose that the tale may have been inspired by the temple’s conspicuous Karyatid statues. I close by considering the story of the harem as part of a phenomenon of “antagonistic narratives” (stories that concern the desecration or destruction of monuments by enemies) in history and archaeology. The article offers new perspectives on later uses of and stories about the Karyatid Temple, on western attitudes towards the presence of Turks in Greece, and on the role that material remains can play in the creation of narratives about the past.
期刊介绍:
Opuscula is published yearly by the Swedish Institutes at Athens and Rome. First issued in 2008 (no. 1), Opuscula replaces the annuals Opuscula Atheniensia and Opuscula Romana published by the Swedish Institute at Athens and the Swedish Institute in Rome respectively. The annual contains articles within classical archaeology, ancient history, art, architecture and philology, as well as book reviews within these subjects. Reports of fieldwork carried out under the supervision of the Institutes at Athens and Rome are regularly reported on in the Opuscula. The annual welcomes contributions pertaining to the ancient Mediterranean world (prehistory to Late Antiquity) and the Classical tradition and drawing on archaeological, historical and philological studies; also, contributions dealing with later periods in the areas, especially in the fields of art, architecture, history and cultural heritage.