空间和面

Q3 Arts and Humanities Matatu Pub Date : 2021-11-22 DOI:10.1163/18757421-05201007
P. Shirodkar
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引用次数: 0

摘要

近年来,散居文学作为一种体裁逐渐得到重视。如果要考虑是什么吸引了这种类型的观众的注意力,人们可以将其缩小到对身份和认同的关注,以及对另一段历史的记录,否则这段历史将被压抑和遗忘。在这些作家中,一个重要的名字是M.G.瓦桑吉,他通过他多产的作品探索了这些分散在不同空间的另类历史。他认为自己在所有他生活过的地方都是家,那些是他遗产的一部分,他谈到了流散者,即那些注定要留在边缘的人。补充/使这些更复杂的是他的从属关系,其中一些是他出生的,另一些是他后天获得的。这篇文章探讨了他声称的许多面孔,或者那些被认为是他的面孔。
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Spaces and Faces
Diasporic writing has been gaining prominence as a genre in recent times. If one were to consider what holds the attention of the audience in this genre, one could narrow it down to its concern with identity and identification as also its recording of an alternate history, which would have otherwise been suppressed and forgotten. Among these writers a significant name is M.G. Vassanji who through his prolific writing explores these alternative histories dispersed across spaces. Considering himself at home in all the places he has lived in and those that are a part of his heritage, he speaks about diasporics, as those that are condemned to remain on the fringes. Complementing/complicating these are his affiliations, some of which he was born into and others which he has acquired. This paper explores the many faces that he claims, or those that have been attributed to him.
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来源期刊
Matatu
Matatu Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
9
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