视觉档案在波尔图美术学院的艺术和教学遗产的恢复和重新激活

Cláudia Lima, Susana Barreto, E. Penedos-Santiago
{"title":"视觉档案在波尔图美术学院的艺术和教学遗产的恢复和重新激活","authors":"Cláudia Lima, Susana Barreto, E. Penedos-Santiago","doi":"10.24310/fotocinema.2022.vi25.14211","DOIUrl":null,"url":null,"abstract":"This article reviews the development of a visual archive within the scope of a funded project Wisdom Transfer that was realised at the Faculty of Fine Arts (FBAUP), University of Porto, in Portugal from 2018 to 2021. The project’s directional objective was to research on the pedagogic environment at the faculty during key years preceding the Revolution of 25 April 1974, towards recovering and reactivating the connected historical, empirical, and technical heritage – which had had a pivotal influence on the maturation of the faculty’s now distinctive cultural identity. \nThe visual archive was based on photographic and audio-visual materials gathered through a series of interview-based sessions with noted artists who were associated with the faculty during the indicated period as either teachers or students. \nThe photographic materials included both original imageries belonging to the period, and contextual pictures taken during the project period, and became generative resources for both the reconstruction of pedagogic histories, and their reinterpretation in contemporary contexts of creative education. The article, thereby, concatenates the methodological elements that were instrumental in the articulation of the visual archive, alongside a number of key project outputs towards highlighting the efficacy of photographs and photography in conducting social research.","PeriodicalId":40899,"journal":{"name":"Fotocinema-Revista Cientifica de Cine y Fotografia","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2022-07-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Visual archives towards the recovery and reactivation of artistic and pedagogical heritage at the School of Fine Arts in Porto\",\"authors\":\"Cláudia Lima, Susana Barreto, E. Penedos-Santiago\",\"doi\":\"10.24310/fotocinema.2022.vi25.14211\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article reviews the development of a visual archive within the scope of a funded project Wisdom Transfer that was realised at the Faculty of Fine Arts (FBAUP), University of Porto, in Portugal from 2018 to 2021. The project’s directional objective was to research on the pedagogic environment at the faculty during key years preceding the Revolution of 25 April 1974, towards recovering and reactivating the connected historical, empirical, and technical heritage – which had had a pivotal influence on the maturation of the faculty’s now distinctive cultural identity. \\nThe visual archive was based on photographic and audio-visual materials gathered through a series of interview-based sessions with noted artists who were associated with the faculty during the indicated period as either teachers or students. \\nThe photographic materials included both original imageries belonging to the period, and contextual pictures taken during the project period, and became generative resources for both the reconstruction of pedagogic histories, and their reinterpretation in contemporary contexts of creative education. The article, thereby, concatenates the methodological elements that were instrumental in the articulation of the visual archive, alongside a number of key project outputs towards highlighting the efficacy of photographs and photography in conducting social research.\",\"PeriodicalId\":40899,\"journal\":{\"name\":\"Fotocinema-Revista Cientifica de Cine y Fotografia\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-07-07\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Fotocinema-Revista Cientifica de Cine y Fotografia\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.24310/fotocinema.2022.vi25.14211\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Fotocinema-Revista Cientifica de Cine y Fotografia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.24310/fotocinema.2022.vi25.14211","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0

摘要

本文回顾了2018年至2021年在葡萄牙波尔图大学美术学院(FBAUP)资助的“智慧转移”项目范围内视觉档案的发展。该项目的定向目标是在1974年4月25日革命之前的关键时期研究学院的教学环境,以恢复和重新激活相关的历史、经验和技术遗产,这些遗产对学院现在独特的文化身份的成熟产生了关键影响。视觉档案的基础是摄影和视听材料,这些材料是通过与著名艺术家的一系列访谈收集的,这些艺术家在指定的时期内以教师或学生的身份与学院有联系。摄影材料中既有属于该时期的原始影像,也有项目期间拍摄的情境图片,成为重建教育学历史的生成资源,也成为在当代创造性教育语境下对其进行重新诠释的生成资源。因此,这篇文章将在视觉档案的表达中发挥重要作用的方法要素与一些关键项目产出联系起来,以突出照片和摄影在进行社会研究中的功效。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Visual archives towards the recovery and reactivation of artistic and pedagogical heritage at the School of Fine Arts in Porto
This article reviews the development of a visual archive within the scope of a funded project Wisdom Transfer that was realised at the Faculty of Fine Arts (FBAUP), University of Porto, in Portugal from 2018 to 2021. The project’s directional objective was to research on the pedagogic environment at the faculty during key years preceding the Revolution of 25 April 1974, towards recovering and reactivating the connected historical, empirical, and technical heritage – which had had a pivotal influence on the maturation of the faculty’s now distinctive cultural identity. The visual archive was based on photographic and audio-visual materials gathered through a series of interview-based sessions with noted artists who were associated with the faculty during the indicated period as either teachers or students. The photographic materials included both original imageries belonging to the period, and contextual pictures taken during the project period, and became generative resources for both the reconstruction of pedagogic histories, and their reinterpretation in contemporary contexts of creative education. The article, thereby, concatenates the methodological elements that were instrumental in the articulation of the visual archive, alongside a number of key project outputs towards highlighting the efficacy of photographs and photography in conducting social research.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.40
自引率
0.00%
发文量
35
审稿时长
12 weeks
期刊最新文献
Una Vespa para Luca Muerte del cine, ¿larga vida del audiovisual? El astracán, lo grotesco y el esperpento en la comedia de Pedro Almodóvar Discursos y representaciones de la mujer compositora en el cine: el caso de Clara Wieck La metáfora visual en el universo del fotógrafo Tatsuya Tanaka
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1