视觉档案在波尔图美术学院的艺术和教学遗产的恢复和重新激活

Cláudia Lima, Susana Barreto, E. Penedos-Santiago
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引用次数: 0

摘要

本文回顾了2018年至2021年在葡萄牙波尔图大学美术学院(FBAUP)资助的“智慧转移”项目范围内视觉档案的发展。该项目的定向目标是在1974年4月25日革命之前的关键时期研究学院的教学环境,以恢复和重新激活相关的历史、经验和技术遗产,这些遗产对学院现在独特的文化身份的成熟产生了关键影响。视觉档案的基础是摄影和视听材料,这些材料是通过与著名艺术家的一系列访谈收集的,这些艺术家在指定的时期内以教师或学生的身份与学院有联系。摄影材料中既有属于该时期的原始影像,也有项目期间拍摄的情境图片,成为重建教育学历史的生成资源,也成为在当代创造性教育语境下对其进行重新诠释的生成资源。因此,这篇文章将在视觉档案的表达中发挥重要作用的方法要素与一些关键项目产出联系起来,以突出照片和摄影在进行社会研究中的功效。
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Visual archives towards the recovery and reactivation of artistic and pedagogical heritage at the School of Fine Arts in Porto
This article reviews the development of a visual archive within the scope of a funded project Wisdom Transfer that was realised at the Faculty of Fine Arts (FBAUP), University of Porto, in Portugal from 2018 to 2021. The project’s directional objective was to research on the pedagogic environment at the faculty during key years preceding the Revolution of 25 April 1974, towards recovering and reactivating the connected historical, empirical, and technical heritage – which had had a pivotal influence on the maturation of the faculty’s now distinctive cultural identity. The visual archive was based on photographic and audio-visual materials gathered through a series of interview-based sessions with noted artists who were associated with the faculty during the indicated period as either teachers or students. The photographic materials included both original imageries belonging to the period, and contextual pictures taken during the project period, and became generative resources for both the reconstruction of pedagogic histories, and their reinterpretation in contemporary contexts of creative education. The article, thereby, concatenates the methodological elements that were instrumental in the articulation of the visual archive, alongside a number of key project outputs towards highlighting the efficacy of photographs and photography in conducting social research.
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CiteScore
0.40
自引率
0.00%
发文量
35
审稿时长
12 weeks
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