封闭的自我反省与伪装:民国女性书信日记写作中的内心独白

Liu Yixin
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摘要

在共和主义女作家的作品中,日记和书信是揭示人物内心独白和小说意识流的两种常见方式。女作家往往试图通过两种叙事形式来传达具有女性意识的自我反省;特别是女性作家用它来表达叙述者/人物在一个私人封闭的情况下的即时通讯。通过具体的文本分析可以看出,作者试图通过这两种叙事形式来暗示一些东西;特别是,女性作家用这种方式来表达人物在私人场合的即时通讯;另一方面,使用书信或日记形式可以使女性作家在试图表达她们的女权主义情感或思想时避免可能的批评或指责。这种私人叙事形式在一定程度上为他们的话语提供了存在空间。无论是日记还是书信,表面上只是个人的思想情感表达,其实是女作家的刻意选择。她们清楚地知道,女性写作还不是既定的规范,因此大多数女作家在创作中表现出谨慎的态度。它实现了与男权社会更有效的谈判。
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Enclosed Self-introspection and Camouflage: Interior Monologue in Republican Chinese Women’s Epistolary and Diary Writing
In Republican women writers’ works, the diary and epistolary modes are two common styles to reveal characters’ interior monologue (IM) and the flow of consciousness in fiction. The women writers often attempt to convey the self-introspection with female awareness through both narrative forms; in particular, women writers use it to express the narra¬tor/characters’ IM in a private enclosed situation. Through the specific textual analysis, it can be seen that the authors attempted to imply something through both of these narrative forms; in particular, women writers used this as a way to express the characters’ IM in private situations; for another thing, the usage of epistolary or diary forms could enable women writers to avoid possible criticism or blame when they tried to express their feminist feelings or thoughts. To some extent, this private narrative form provided an existential space for their discourse. No matter for the diary or the letter, seemingly it is merely a personal expression of thoughts and emotion, however in fact this was women writers’ intentional choice. They clearly knew that female writing was not yet the established norm, so most of women writers showed cautiousness in their creative writing. It achieves a more effective negotiation with a patriarchal society.
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