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Chinese-English Translation of Curse Words in A Dream of Red Mansions: Literal Versus Free Translation 红楼梦》中诅咒词的汉英互译:直译与意译
Pub Date : 2024-05-17 DOI: 10.11648/j.ijla.20241203.11
Yang Chen
This research paper delves into the translation strategies for curse words from Chinese to English within the context of literary works, specifically focusing on "A Dream of Red Mansions," a classic Chinese novel. The study acknowledges the cultural aversion to curse words due to their offensive nature and association with negative emotions. However, it emphasizes the importance of these words in literature, where they contribute to the authenticity and expressiveness of the text. The paper is structured into three main sections. The first section provides a comparative analysis of curse words in English and Chinese, highlighting their common offensive traits and the cultural nuances that differentiate their usage. The second section presents a detailed examination of various translation strategies applied to curse words in the novel, including literal translation and free translation. The third section discusses the challenges translators face when bridging cultural barriers and offers recommendations for achieving faithful and expressive translations. The study underscores that curse words extend beyond their everyday negative connotations and are integral to the literary expression. It concludes that translators must possess a deep understanding of both the source and target languages' cultural contexts to effectively translate curse words. The recommended approach involves understanding the literal and extended meanings of curse words, considering the context, and employing a combination of literal and free translation strategies to maintain the essence and emotional impact of the original text.
本研究论文以中国古典小说《红楼梦》为研究对象,深入探讨文学作品中的中英文骂人话翻译策略。研究承认,由于诅咒词的攻击性以及与负面情绪的联系,文化中存在对诅咒词的反感。然而,研究强调了这些词语在文学作品中的重要性,它们有助于增强文本的真实性和表现力。本文分为三个主要部分。第一部分对中英文中的咒骂词进行了比较分析,强调了它们共同的攻击性特征以及不同用法的文化细微差别。第二部分详细分析了小说中对骂人话采用的各种翻译策略,包括直译和意译。第三部分讨论了译者在跨越文化障碍时所面临的挑战,并就如何实现忠实且富有表现力的翻译提出了建议。本研究强调,诅咒词超越了其日常的负面含义,是文学表达不可或缺的一部分。研究得出结论,译者必须深入了解源语言和目标语言的文化背景,才能有效地翻译诅咒词。建议采用的方法包括理解诅咒词的字面意义和引申意义,考虑上下文,并采用直译和意译相结合的策略,以保持原文的精髓和情感影响。
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引用次数: 0
Romanticism and Nonviolence: Percy Bysshe Shelley Exhumed 浪漫主义与非暴力珀西-比希-雪莱的蜕变
Pub Date : 2024-04-11 DOI: 10.11648/j.ijla.20241202.11
G. Ngide
This paper posits that in his prose and poetry, Percy Bysshe Shelley (an English poet of the Romantic period) articulates both the philosophy and methodology of nonviolence as a response to oppression, repression and marginalisation. It also contends that although his theory significantly impacted the formation of the philosophies and socio-political campaigns of later nonviolence activists, especially the Indian Civil Rights Activist Mahatma Gandhi, Shelley has not been sufficiently credited for the ground-breaking political philosophy of nonviolence. This article thus explores Shelley’s philosophy of nonviolence in his poetry, prose, dramas and pamphlets. It compares the nonviolence philosophies of Gandhi and Shelley and brings out Shelley’s unquestionable influence on Mahatma Gandhi. The article raises questions about why Shelley was not credited with the philosophy of nonviolence and suggests possible reasons for this apparent near lack of global consideration for the English Romantic poet despite his pioneering the philosophy. Having proceeded thus and upon thorough academic investigation, the article irresistibly concludes that contrary to popular socio-political opinion, Percy Bysshe Shelley is the unrivalled father of nonviolence as an ethical and pragmatic philosophy for socio-political mutation. By this study, Shelley is given his rightful position in matters of nonviolence and thus exhumed as a poet-philosopher whose philosophy has outlived his existence and practised to date by activists to press for reform.
本文认为,浪漫主义时期的英国诗人珀西-比希-雪莱(Percy Bysshe Shelley)在其散文和诗歌中阐明了非暴力的哲学和方法论,以此作为对压迫、镇压和边缘化的回应。文章还认为,虽然雪莱的理论对后来的非暴力活动家,尤其是印度民权活动家圣雄甘地的哲学和社会政治运动的形成产生了重大影响,但雪莱在非暴力这一开创性的政治哲学方面却没有得到足够的肯定。因此,本文探讨了雪莱诗歌、散文、戏剧和小册子中的非暴力哲学。文章比较了甘地和雪莱的非暴力哲学,并指出雪莱对圣雄甘地的影响毋庸置疑。文章提出了为什么雪莱没有被认为提出了非暴力哲学的问题,并提出了这位英国浪漫主义诗人尽管开创了非暴力哲学,却显然几乎没有受到全球关注的可能原因。经过深入的学术调查,文章不可抗拒地得出结论:与流行的社会政治观点相反,珀西-比希-雪莱是无与伦比的非暴力之父,非暴力是一种伦理和实用的社会政治变革哲学。通过这项研究,雪莱在非暴力问题上被赋予了其应有的地位,并因此被唤醒,成为一位诗人兼哲学家,其哲学思想超越了他的存在,至今仍被积极分子用于推动改革。
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引用次数: 0
Spiritual Disorientation: A Study of Place in Linda Hogan’s Solar Storms from the Perspective of Human Geography 精神迷失:从人文地理学的角度研究琳达-霍根《太阳风暴》中的地点
Pub Date : 2024-02-20 DOI: 10.11648/j.ijla.20241201.12
Xiaofang Sun
Linda Hogan is a Chickasaw writer grown up in the Native American Renaissance, who feels much obliged to figure out an effective way of guiding the colonized native people out of ecocide and ethnocide wrought by the Euro-American colonization. As an author wholly drenched in the indigenous cosmology, Hogan bestows great concern on the issue of place in the literary creation, which is a pivotal cosmological element in the native epistemological system and thus can be taken as a means for her to decolonize her people. This paper is to investigate the issue of colonization and decolonization through the lens of place in the register of human geography by exploring the spiritual disorientation attributed to land loss represented in her novel Solar Storms (1995). Based on detailed textual analysis, it is unfolded that the spiritual disorientation in the Indian community has been overtly embodied in two aspects: native men’s alcoholism and their conceding to white masculinity, and child abuse conducted by women for their suffering from intergenerational trauma, which truly represents the mental or psychological crisis of indigenous peoples triggered by and attendant to the land loss. In conclusion, the decolonizing process in Hogan’s fiction necessitates reviewing the horrible outcome of the native people’s land loss history so as to enhance their recognition of the communal place, stimulate their sense of community and develop new sites and strategies of resistance.
琳达-霍根是一位在美国本土文艺复兴时期成长起来的奇卡索族作家,她深感有责任找出一条有效的途径,引导被殖民的原住民摆脱欧美殖民带来的生态灭绝和种族灭绝。作为一个完全浸润在原住民宇宙观中的作家,霍根在文学创作中非常关注地点问题,这是原住民认识论体系中举足轻重的宇宙观元素,因此也可以被视为她对其民族进行非殖民化的一种手段。本文将通过探究她的小说《太阳风暴》(1995 年)中所表现的因土地丧失而导致的精神迷失,从人文地理学中的地点视角来研究殖民化和非殖民化问题。通过详细的文本分析,我们发现印第安社区的精神迷失主要体现在两个方面:一是土著男性酗酒并屈服于白人的大男子主义;二是女性因遭受代际创伤而虐待儿童,这真实地反映了土地丧失所引发和伴随的土著民族的精神或心理危机。总之,霍根小说中的非殖民化过程需要回顾原住民失地历史的可怕结果,以增强他们对族群场所的认同,激发他们的族群意识,发展新的抵抗场所和策略。
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引用次数: 0
A Keyword in Western Literary Theory: Text 西方文学理论中的一个关键词:文本
Pub Date : 2024-01-08 DOI: 10.11648/j.ijla.20241201.11
Qian Han
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引用次数: 0
The Objectification of Women in Adonis Durado’s “Balaki Ko ‘Day Samtang Gasakay Ta’g Habalhabal” 阿多尼斯-杜拉多的 "Balaki Ko 'Day Samtang Gasakay Ta'g Habalhabal "中的物化女性形象
Pub Date : 2023-12-18 DOI: 10.11648/j.ijla.20231106.12
Weena Mae Granada-Ampo, Joshua Golosino Rojo
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引用次数: 0
A Study of Mind Style in Chimamanda Ngozi Adichie’s Purple Hibiscus 奇玛曼达-恩格齐-阿迪契《紫色木槿花》中的思想风格研究
Pub Date : 2023-11-09 DOI: 10.11648/j.ijla.20231106.11
Adama Suleiman, Murana Muniru Oladayo, Yusuf Ibrahim
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引用次数: 0
A Study of the Truth, Goodness and Beauty in Alai’s Novel Fairy Ring 阿来小说《仙女戒指》中的真、善、美研究
Pub Date : 2023-10-31 DOI: 10.11648/j.ijla.20231105.12
Zhang Yunhe
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引用次数: 0
The Process of Spiritual Evolution and Purification -- A Thematic Analysis of &lt;i&gt;Phantastes: A Faerie Romance for Men and Women&lt;/i&gt; 精神进化与净化的过程——《幻影传》的主题分析&lt;/i&gt;
Pub Date : 2023-09-13 DOI: 10.11648/j.ijla.20231105.11
Jiaxin Liu
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引用次数: 0
From the Gunfighter Myth to Rock Performance: Transposition and Intermedial References in Sam Shepard’s The Tooth of Crime 从枪手神话到摇滚表演:山姆·谢泼德的《罪恶之牙》中的换位和中间参考
Pub Date : 2023-08-28 DOI: 10.11648/j.ijla.20231104.17
Jiabin Guo
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引用次数: 0
Literary Genders in the Narrative Text: Between Fashion and Chaos a Critical View of Some Creative Models 叙事文本中的文学性别:在时尚与混乱之间——对一些创作模式的批判
Pub Date : 2023-08-22 DOI: 10.11648/j.ijla.20231104.16
Benalloua Kheira
: This papers are about the discourse in the theory of literature and its criticism, which is still difficult to deal with due to what is authored each time in various creative fields, whether about the famous literary genders: poetry and prose
这篇论文是关于文学理论及其批评中的话语,由于每次创作的都是不同的创作领域,无论是关于著名的文学性别:诗歌还是散文,仍然很难处理
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引用次数: 0
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International Journal of Literature and Arts
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