{"title":"范妮·门德尔松复活节奏鸣曲(1828)","authors":"Angela Mace Christian","doi":"10.1080/01411896.2022.2081920","DOIUrl":null,"url":null,"abstract":"ABSTRACT Fanny Mendelssohn committed her Easter Sonata to paper in 1828, thereafter mentioning it only briefly in her diary and letters in 1829. Whether the manuscript survived, and if so where it was, remained a mystery until the 1970s when the work was performed in Paris, France. In 2010, the manuscript was rediscovered and positively identified as a work by Fanny Mendelssohn. This article presents the story of the Easter Sonata using documentary and codicological evidence, provides musical analysis of the work to identify Fanny Mendelssohn’s compositional voice, and places the Easter Sonata in context of the Mendelssohn family’s social constructs.","PeriodicalId":42616,"journal":{"name":"JOURNAL OF MUSICOLOGICAL RESEARCH","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Easter Sonata of Fanny Mendelssohn (1828)\",\"authors\":\"Angela Mace Christian\",\"doi\":\"10.1080/01411896.2022.2081920\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT Fanny Mendelssohn committed her Easter Sonata to paper in 1828, thereafter mentioning it only briefly in her diary and letters in 1829. Whether the manuscript survived, and if so where it was, remained a mystery until the 1970s when the work was performed in Paris, France. In 2010, the manuscript was rediscovered and positively identified as a work by Fanny Mendelssohn. This article presents the story of the Easter Sonata using documentary and codicological evidence, provides musical analysis of the work to identify Fanny Mendelssohn’s compositional voice, and places the Easter Sonata in context of the Mendelssohn family’s social constructs.\",\"PeriodicalId\":42616,\"journal\":{\"name\":\"JOURNAL OF MUSICOLOGICAL RESEARCH\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2022-07-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"JOURNAL OF MUSICOLOGICAL RESEARCH\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/01411896.2022.2081920\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"JOURNAL OF MUSICOLOGICAL RESEARCH","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/01411896.2022.2081920","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
ABSTRACT Fanny Mendelssohn committed her Easter Sonata to paper in 1828, thereafter mentioning it only briefly in her diary and letters in 1829. Whether the manuscript survived, and if so where it was, remained a mystery until the 1970s when the work was performed in Paris, France. In 2010, the manuscript was rediscovered and positively identified as a work by Fanny Mendelssohn. This article presents the story of the Easter Sonata using documentary and codicological evidence, provides musical analysis of the work to identify Fanny Mendelssohn’s compositional voice, and places the Easter Sonata in context of the Mendelssohn family’s social constructs.
期刊介绍：
The Journal of Musicological Research publishes original articles on all aspects of the discipline of music: historical musicology, style and repertory studies, music theory, ethnomusicology, music education, organology, and interdisciplinary studies. Because contemporary music scholarship addresses critical and analytical issues from a multiplicity of viewpoints, the Journal of Musicological Research seeks to present studies from all perspectives, using the full spectrum of methodologies. This variety makes the Journal a place where scholarly approaches can coexist, in all their harmony and occasional discord, and one that is not allied with any particular school or viewpoint.
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