{"title":"brasilia和ceilandia的建设和巩固过程:一个现代化的项目","authors":"Josuel Stenio da Paixão Ribeiro Paixao, J. Silva","doi":"10.20287/DOC.D24.AR04","DOIUrl":null,"url":null,"abstract":"This work deals with the architectural and urban patrimony of Brasilia / Brazil, not in the process of patrimony itself, the recognition of the value of architecture and urbanism of the planned city, a modern city, but rather, from the perspective of the city under the lens of the inhabitants of Ceilândia and its surroundings, in two specific films A cidade e uma so? and Branco sai, preto fica.","PeriodicalId":30245,"journal":{"name":"Doc OnLine Revista Digital de Cinema Documentario","volume":"6 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2018-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"O processo de construção e consolidação de Brasília e Ceilândia: um projeto de modernidade\",\"authors\":\"Josuel Stenio da Paixão Ribeiro Paixao, J. Silva\",\"doi\":\"10.20287/DOC.D24.AR04\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This work deals with the architectural and urban patrimony of Brasilia / Brazil, not in the process of patrimony itself, the recognition of the value of architecture and urbanism of the planned city, a modern city, but rather, from the perspective of the city under the lens of the inhabitants of Ceilândia and its surroundings, in two specific films A cidade e uma so? and Branco sai, preto fica.\",\"PeriodicalId\":30245,\"journal\":{\"name\":\"Doc OnLine Revista Digital de Cinema Documentario\",\"volume\":\"6 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-09-28\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Doc OnLine Revista Digital de Cinema Documentario\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.20287/DOC.D24.AR04\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Doc OnLine Revista Digital de Cinema Documentario","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.20287/DOC.D24.AR04","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
这个作品处理的是巴西巴西利亚的建筑和城市遗产，不是遗产本身的过程，不是对规划城市，一个现代城市的建筑和城市主义价值的认可，而是在两部具体的电影中，从印度群岛及其周围地区居民的视角下的城市视角，a cidade e uma so?布兰科说:“再见。”
O processo de construção e consolidação de Brasília e Ceilândia: um projeto de modernidade
This work deals with the architectural and urban patrimony of Brasilia / Brazil, not in the process of patrimony itself, the recognition of the value of architecture and urbanism of the planned city, a modern city, but rather, from the perspective of the city under the lens of the inhabitants of Ceilândia and its surroundings, in two specific films A cidade e uma so? and Branco sai, preto fica.
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