{"title":"声音、场地和城市——纳迪亚·瓦多里-高捷的抵抗舞蹈项目“每日一分钟的舞蹈”","authors":"Edyta Lorek-Jezińska","doi":"10.26913/avant.2020.03.36","DOIUrl":null,"url":null,"abstract":"This article examines the recorded city soundscape and its relation to dance in Nadia VadoriGauthier’s resistant dancing project Une minute de danse par jour started in 2015. Referring to the concepts of site and non-site, site-specific performance, sonoric landscape and Cage’s experiment with city soundscapes, I look into three types of sites used by the dancer: the street, means or sites of transport and isolated places (cemeteries). I am particularly interested in the ways in which the found sound determines the dancer’s movements and how it is framed both by the dancer and the camera.","PeriodicalId":43453,"journal":{"name":"Avant","volume":"44 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Sound, Site and the City in Nadia Vadori-Gauthier’s Resistant Dancing Project ‘Une minute de danse par jour’\",\"authors\":\"Edyta Lorek-Jezińska\",\"doi\":\"10.26913/avant.2020.03.36\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article examines the recorded city soundscape and its relation to dance in Nadia VadoriGauthier’s resistant dancing project Une minute de danse par jour started in 2015. Referring to the concepts of site and non-site, site-specific performance, sonoric landscape and Cage’s experiment with city soundscapes, I look into three types of sites used by the dancer: the street, means or sites of transport and isolated places (cemeteries). I am particularly interested in the ways in which the found sound determines the dancer’s movements and how it is framed both by the dancer and the camera.\",\"PeriodicalId\":43453,\"journal\":{\"name\":\"Avant\",\"volume\":\"44 1\",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Avant\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.26913/avant.2020.03.36\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Avant","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.26913/avant.2020.03.36","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
摘要
本文考察了Nadia vadorigier于2015年开始的抵抗舞蹈项目“一分钟的舞蹈”(Une minute de dance par jour)中所记录的城市声景及其与舞蹈的关系。参考场地和非场地、场地特定表演、声景观和凯奇的城市声景观实验的概念，我研究了舞者使用的三种类型的场地:街道、交通工具或场地和孤立的地方(墓地)。我特别感兴趣的是发现的声音如何决定舞者的动作，以及它是如何被舞者和相机框起来的。
Sound, Site and the City in Nadia Vadori-Gauthier’s Resistant Dancing Project ‘Une minute de danse par jour’
This article examines the recorded city soundscape and its relation to dance in Nadia VadoriGauthier’s resistant dancing project Une minute de danse par jour started in 2015. Referring to the concepts of site and non-site, site-specific performance, sonoric landscape and Cage’s experiment with city soundscapes, I look into three types of sites used by the dancer: the street, means or sites of transport and isolated places (cemeteries). I am particularly interested in the ways in which the found sound determines the dancer’s movements and how it is framed both by the dancer and the camera.
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