其他媒介的文学——再看鲁迅的《呐喊序》

IF 0.4 4区 社会学 0 ASIAN STUDIES Positions-Asia Critique Pub Date : 2021-04-28 DOI:10.1215/10679847-8852137
Chenshu Zhou
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引用次数: 0

摘要

摘要:鲁迅首部短篇小说集《那汉? ? ? ?》(1923年出版)的前言叙述了鲁迅从在日本学医到为《新青年》杂志写稿的过程,不仅呈现了一位重要作家的身世故事,也为理解中国现代文学提供了重要线索。本文通过对媒介问题的关注,为该经典文本提供了一种新的解读。综合作者的传记,媒体的历史,和文本分析,它检查了三个中间参考在序言-著名的灯笼幻灯片,现代期刊,和反复出现的抗议的概念。作为自传体的叙述,序言中包含了需要更多以媒介为中心的分析的事件,包括“幻灯片事件”(更名为“屏幕事件”)和鲁迅对期刊媒体的失败实验。本文将前言作为一种叙事行为来解读,考察了令人困惑的“影戏”一词和“叫嚣”隐喻等文本选择。现代白话文学的出现和鲁迅作为主要文学人物的出现,应该在更广泛的跨国媒介环境中被历史化,在这种环境中,多种媒介实践相互交叉。
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Literature by Other Mediums: Revisiting Lu Xun's Preface to Outcry
Abstract:By recounting how Lu Xun 鲁迅 went from studying medicine in Japan to writing for the magazine Xin qingnian 新青年 (New Youth), the preface to Nahan 呐喊 (Outcry, 1923), Lu Xun's first collection of short stories, not only presents an origin story of an important author but also contains important clues for understanding modern Chinese literature. This article offers a new reading of that canonical text by focusing on the problem of medium. Synthesizing author biography, media history, and textual analysis, it examines three intermedial references in the preface—the famous lantern slide, the modern periodical, and the recurring notion of outcry. As an autobiographical account, the preface contains narrated events that call for more mediacentered analysis, including the "slide incident" (renamed "screen incident") and Lu Xun's failed experiment with the periodical medium. Reading the preface as an act of narration, this article scrutinizes textual choices such as the confusing word dianying 电影 (film) and the outcry metaphor. The emergence of both modern vernacular literature and Lu Xun as a major literary figure, it is argued, should be historicized in a broader transnational media environment, in which diverse media practices intersected.
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来源期刊
Positions-Asia Critique
Positions-Asia Critique ASIAN STUDIES-
CiteScore
0.70
自引率
0.00%
发文量
29
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