米开朗基罗为佛罗伦萨大教堂绘制的使徒雕像

IF 0.1 3区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES Viator - Medieval and Renaissance Studies Pub Date : 2006-01-01 DOI:10.1484/J.VIATOR.2.3017497
Michaël J. Amy
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引用次数: 0

摘要

1503年4月,米开朗基罗为佛罗伦萨大教堂创作了12尊真人大小的大理石使徒雕像,这一著名的委托经常被忽视,几乎可以肯定的是,这个项目几乎没有起步,因为它被教皇朱利叶斯二世分配给艺术家的三个主要委托打断了。我们确实有一座雕像,那就是圣马太雕像,它不早于1506年4月开始建造,有三分之二的人没有完工。这个雕塑必须成为使徒雕像准备图纸组装的起点,这是以前没有人尝试过的任务。这是值得注意的,因为只有《圣马太》和雕像的准备图纸才能揭示米开朗基罗对这个循环的改变意图。几幅毫无疑问与这个委员会有关的画受到了相当多的学术关注。以前从未与该项目相关的三张纸在这里被暂时介绍为潜在的使徒研究。
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Michelangelo’s Drawings for Apostle Statues for the Cathedral of Florence
Michelangelo’s prestigious commission of April 1503 for twelve over-life-sized marble Apostle statues for the Cathedral of Florence is often overlooked, almost certainly because this project barely got off the ground, as it was interrupted by three major commissions allotted to the artist by Pope Julius II. We do have one statue, namely the St. Matthew begun no earlier than April 1506, which was left two-thirds unfinished. This sculpture must form the point of departure for the assembly of drawings preparatory for the Apostle statues, a task no one has previously attempted. This is remarkable, considering that only the St. Matthew and the preparatory drawings for the statues can shed light upon Michelangelo’s changing intentions for the cycle. Several drawings that are undoubtedly related to this commission have received considerable scholarly attention. Three sheets never previously connected to the project are tentatively introduced here as potential Apostle studies.
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Viator - Medieval and Renaissance Studies
Viator - Medieval and Renaissance Studies Arts and Humanities-History
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