{"title":"《哪里所有的梦都是好梦》?迪士尼动画电影中摇篮曲的戏剧功能与浪漫母亲的比喻","authors":"M. Behrendt","doi":"10.5406/19407610.16.1.03","DOIUrl":null,"url":null,"abstract":"Abstract:This article demonstrates (1) how Disney’s animated films follow a long tradition of connecting lullabies to loss and death; (2) how an analytical approach toward lullabies can correct established opinions on the representation of mothers in these films; and (3) how both phenomena draw on a specific perception of childhood and motherhood modeled by Romanticism.","PeriodicalId":41714,"journal":{"name":"Music Sound and the Moving Image","volume":"67 1","pages":"37 - 50"},"PeriodicalIF":0.5000,"publicationDate":"2023-02-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“Where All Dreams Are Good Dreams”? The Dramatic Function of the Lullaby in Disney’s Animated Feature Films and the Trope of the Romantic Mother\",\"authors\":\"M. Behrendt\",\"doi\":\"10.5406/19407610.16.1.03\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This article demonstrates (1) how Disney’s animated films follow a long tradition of connecting lullabies to loss and death; (2) how an analytical approach toward lullabies can correct established opinions on the representation of mothers in these films; and (3) how both phenomena draw on a specific perception of childhood and motherhood modeled by Romanticism.\",\"PeriodicalId\":41714,\"journal\":{\"name\":\"Music Sound and the Moving Image\",\"volume\":\"67 1\",\"pages\":\"37 - 50\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2023-02-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Music Sound and the Moving Image\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5406/19407610.16.1.03\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Music Sound and the Moving Image","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5406/19407610.16.1.03","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
“Where All Dreams Are Good Dreams”? The Dramatic Function of the Lullaby in Disney’s Animated Feature Films and the Trope of the Romantic Mother
Abstract:This article demonstrates (1) how Disney’s animated films follow a long tradition of connecting lullabies to loss and death; (2) how an analytical approach toward lullabies can correct established opinions on the representation of mothers in these films; and (3) how both phenomena draw on a specific perception of childhood and motherhood modeled by Romanticism.