“你是多么幸运,你永远不知道变老是什么”——当代奇幻电影中的第四波女权主义怪物女巫

Rikke Schubart
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引用次数: 1

摘要

本文关注的是当代三部童话改编电影《白雪公主与猎人》中年迈而强大的女巫与年轻女性的对抗。鲁伯特·桑德斯(Rupert Sanders),《韩塞尔与格蕾特:女巫猎人》(2012);汤米·威尔科拉,2013),玛琳菲森(导演)。Robert Stromberg, 2014)。每部电影都将老巫婆从老套的反派角色转变为一个更微妙的角色。这一修订引人入胜之处在于它对权力和性别的关注,以及对当代所谓的女性主义浪潮中关于年龄和权力的辩论的反映。这篇文章使用了两个框架。第一部分是女权主义和年龄歧视,主要关注浪潮女权主义和老龄化;第二部分是女巫的比喻,从童话研究、社会历史、社会人类学等方面入手。这篇文章将一个年老的女巫和一个年轻女子之间的冲突解读为女权主义浪潮的冲突,而女巫的“怪物”则是她拒绝在一个迷恋青春的世界中被边缘化。
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“How Lucky You Are Never to Know What It Is to Grow Old”—Witch as Fourth-Wave Feminist Monster in Contemporary Fantasy Film
This article focuses on the figure of an aging and powerful witch pitted against younger women in three contemporary fairy-tale movie adaptations: Snow White and the Huntsman (dir. Rupert Sanders, 2012), Hansel & Gretel: Witch Hunters (dir. Tommy Wirkola, 2013), and Maleficent (dir. Robert Stromberg, 2014). Each film transforms the aging witch from stock villain to a more nuanced character. This revision is intriguing for its concern with power and gender and for a reflection of contemporary debates about age and power within so-called wave feminism. The article uses two frames. The first is feminism and ageism, focusing on wave feminism and aging, and the second is the trope of the witch, drawing from fairy-tale studies, social history, and social anthropology. The article reads conflict between an aging witch and a young woman as a clash of feminist waves, and the witch’s ‘monstrosity’ as her refusal to be sidelined in a world obsessed with youth.
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