{"title":"一起生存(黑色)","authors":"Dominique C. Hill, Durell M. Callier","doi":"10.1525/dcqr.2020.9.2.53","DOIUrl":null,"url":null,"abstract":"How do Black feminism and womanism foster interconnectedness to one another and the sacred? What knowledges manifest through collective practices of wondering and wandering together? This essay provides reflections on our own engagements with creative-relational inquiry, manifested through our collective practice, Hill L. Waters, a scholar–artist collective rooted in love, Black queer resistance, and art as activism. Organized around and through three corresponding moments, this poetic essay embodies creative-relational inquiry and narrates our process of collectivity. Ultimately, this essay demonstrates how collectivity as a writing practice, political commitment, and identity translates Black feminist and womanist theory into praxis.","PeriodicalId":36478,"journal":{"name":"Departures in Critical Qualitative Research","volume":"136 1","pages":"53-61"},"PeriodicalIF":0.4000,"publicationDate":"2020-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Surviving (Black) Together\",\"authors\":\"Dominique C. Hill, Durell M. Callier\",\"doi\":\"10.1525/dcqr.2020.9.2.53\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"How do Black feminism and womanism foster interconnectedness to one another and the sacred? What knowledges manifest through collective practices of wondering and wandering together? This essay provides reflections on our own engagements with creative-relational inquiry, manifested through our collective practice, Hill L. Waters, a scholar–artist collective rooted in love, Black queer resistance, and art as activism. Organized around and through three corresponding moments, this poetic essay embodies creative-relational inquiry and narrates our process of collectivity. Ultimately, this essay demonstrates how collectivity as a writing practice, political commitment, and identity translates Black feminist and womanist theory into praxis.\",\"PeriodicalId\":36478,\"journal\":{\"name\":\"Departures in Critical Qualitative Research\",\"volume\":\"136 1\",\"pages\":\"53-61\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2020-05-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Departures in Critical Qualitative Research\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1525/dcqr.2020.9.2.53\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"SOCIAL SCIENCES, INTERDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Departures in Critical Qualitative Research","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1525/dcqr.2020.9.2.53","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"SOCIAL SCIENCES, INTERDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
摘要
黑人女权主义和女性主义如何促进彼此之间和神圣之间的相互联系?什么样的知识可以通过集体的探索和漫游来显现?这篇文章通过我们的集体实践，希尔·l·沃特斯(Hill L. Waters)，一个植根于爱情的学者-艺术家集体，黑人酷儿抵抗，以及作为行动主义的艺术，对我们自己与创造性关系探究的接触进行了反思。这篇诗意的文章围绕并通过三个相应的时刻，体现了创造性的关系探究，并叙述了我们的集体过程。最后，本文论证了集体作为一种写作实践、政治承诺和身份如何将黑人女权主义和女性主义理论转化为实践。
How do Black feminism and womanism foster interconnectedness to one another and the sacred? What knowledges manifest through collective practices of wondering and wandering together? This essay provides reflections on our own engagements with creative-relational inquiry, manifested through our collective practice, Hill L. Waters, a scholar–artist collective rooted in love, Black queer resistance, and art as activism. Organized around and through three corresponding moments, this poetic essay embodies creative-relational inquiry and narrates our process of collectivity. Ultimately, this essay demonstrates how collectivity as a writing practice, political commitment, and identity translates Black feminist and womanist theory into praxis.
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