威拉·凯瑟的偷窥现实主义

IF 0.2 2区文学 N/A LITERATURE ELH Pub Date : 2022-06-01 DOI:10.1353/elh.2022.0017

B. Kahan

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引用次数: 0

摘要

摘要:随着酷儿研究对叙事学的兴趣日益浓厚，现实主义史上最近的研究标志着酷儿转向。本文在此基础上探讨了现实主义与偷窥癖和暴露癖的关系。我特别研究了薇拉·凯瑟(Willa Cather)的《来了，阿芙罗狄蒂》(Coming, Aphrodite, 1920)，这是她最露骨的性故事，以发现一个窥视孔为背景。我把这个故事放在凯瑟的职业生涯中，认为窥视孔的形象在她早期的作品中很普遍，是她现实主义意识的基础。在这样做的过程中，我认为凯瑟的窥阴癖和暴露癖模型与当代性学家的模型有很大的不同

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Willa Cather's Voyeuristic Realism

Abstract:Recent work in the history of realism has marked a queer turn as queer scholarship has increasingly become interested in narratology. This essay builds on that work by exploring realism's relation to voyeurism and exhibitionism. In particular, I examine Willa Cather's "Coming, Aphrodite" (1920), her most sexually explicit story, which turns on the discovery of a peephole. I emplace this story within Cather's career, arguing that the figure of the peephole is prevalent throughout her early work and is foundational to her sense of realism. In doing so, I argue that Cather's models of voyeurism and exhibitionism diverge dramatically from that of contemporary sexologists

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