“每个人都以自己的方式成为大师”:帕罗米亚斯的大师、技能、工艺

Irina N. Raikova
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引用次数: 0

摘要

本文考察了俄罗斯和非民族材料中关于主人、技能、工艺、材料、工具和产品的谚语和谚语的专题组。为了进行比较,它还涉及到类似主题的谜语的材料。该研究揭示了关于主人和主人的主要传统观念,类似于各种民族文化传统,并与今天相关:掌握应该带来收入;任何工艺都是必要的;每个人都是自己领域的主人;工艺要求专业化;精通是由训练有素的学生决定的;真正的大师是不会给别人出主意的,等等。帕罗米亚斯的变体和种族版本往往突出了这些思想的具体,往往是相互矛盾的细微差别。在帕罗米尼亚,我们主要谈论的是工匠和从事家务劳动的人。精通主要与体力劳动有关,在俄罗斯传统中,它与创造性的人有关。帕罗米里亚人证实了铁匠在神话、历史和文化中的特殊地位。除了教学、信息和规定性的功能外,被分析的paremias还具有情感功能。类似主题的谜语将人类与自然联系起来,从而肯定了人类技能的自然来源和自然母亲自己的技能。
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‘Everyone is a Master in his own Way’: Master, Skill, Craft in Paroemias
The paper examines a thematic group of proverbs and sayings about the master, skill, craft, material, tools, and products of the master in Russian and non-ethnic material. It also involves, for comparison, the material of riddles of a similar subject. The study reveals the main traditional ideas about the master and mastery, similar in various ethno-cultural traditions and relevant to this day: mastery should bring income; any craft is necessary; each person is a master in his own realm; craft requires specialization; mastery is determined by trained students; a real master does not give advice to another, etc. The variants and ethnic versions of the paroemias often highlight specific, often contradictory nuances of these ideas. In the paroemias, we are talking primarily about artisans and people engaged in household works. Mastery is associated primarily with manual labor, less often in the Russian tradition, it relates to creative people. The paroemias confirm the blacksmith's special status in mythology, history and culture. In addition to didactic, informative, prescriptive functions, the analyzed paroemias also perform emotive one. Riddles of similar subjects associate the human with the natural, thereby affirming the natural source of human skill and the skill of Mother Nature herself.
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