{"title":"陀思妥耶夫斯基文学作品中的疏离维度:寻找全球大流行时期社会生活突然变化后果的新视角","authors":"M. Chalukova","doi":"10.54664/umty1441","DOIUrl":null,"url":null,"abstract":"This article focuses on the theme of alienation in three works by F. M. Dostoevsky, Notes from the Underground (1864), Crime and Punishment (1866), and The Dream of a Ridiculous Man (1877). This article will argue that despite the overall different set of circumstances, Dostoevsky’s literary works nevertheless provide some insight into the coping mechanisms we can utilize when dealing with loneliness and alienation-related problems during social isolation.","PeriodicalId":81110,"journal":{"name":"Diogenes","volume":"83 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Dimensions of Alienation in Dostoevsky’s Literary Works: In Search of New Perspectives on the Consequences of the Sudden Change in Social Life During a Global Pandemic\",\"authors\":\"M. Chalukova\",\"doi\":\"10.54664/umty1441\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article focuses on the theme of alienation in three works by F. M. Dostoevsky, Notes from the Underground (1864), Crime and Punishment (1866), and The Dream of a Ridiculous Man (1877). This article will argue that despite the overall different set of circumstances, Dostoevsky’s literary works nevertheless provide some insight into the coping mechanisms we can utilize when dealing with loneliness and alienation-related problems during social isolation.\",\"PeriodicalId\":81110,\"journal\":{\"name\":\"Diogenes\",\"volume\":\"83 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-06-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Diogenes\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.54664/umty1441\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Diogenes","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.54664/umty1441","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Dimensions of Alienation in Dostoevsky’s Literary Works: In Search of New Perspectives on the Consequences of the Sudden Change in Social Life During a Global Pandemic
This article focuses on the theme of alienation in three works by F. M. Dostoevsky, Notes from the Underground (1864), Crime and Punishment (1866), and The Dream of a Ridiculous Man (1877). This article will argue that despite the overall different set of circumstances, Dostoevsky’s literary works nevertheless provide some insight into the coping mechanisms we can utilize when dealing with loneliness and alienation-related problems during social isolation.