{"title":"代表转型中的约翰内斯堡:David Koloane、Jo Ractliffe和Anthea Moys的城市体验、图像和艺术作品","authors":"Fiona Siegenthaler","doi":"10.1080/21681392.2021.1999833","DOIUrl":null,"url":null,"abstract":"This paper focuses on artistic engagements with urban change in Johannesburg. The guiding questions are: (1) How do artists perceive and reflect urbanity, social change, and the transition of inner-city Johannesburg within their work? (2) In what ways can artworks contribute to Southern theories and decolonial and pluriversal conceptions of the city? The paper consists of three parts. The first offers a conceptual framing of the relationship between images, imageries, and imagination and their relation to artistic representation and practice. The second part focuses on the work of David Koloane, Jo Ractliffe and Anthea Moys between the late 1990s and the early 2010s, whose artistic work relates in various ways to urban imaginaries, individual experience, and the visual representation of Johannesburg. Inspired by the concepts of cityness and invisibility (Simone), the third part of the paper discusses the interplay between individual positionality and urban experience, the role of socio-political discourses and urban imageries for the artistic expression as well as the potential of such analysis for theorizing urban life and its artistic representations from pluriversal perspectives, as suggested by proponents of decolonial theories.","PeriodicalId":37966,"journal":{"name":"Critical African Studies","volume":null,"pages":null},"PeriodicalIF":1.3000,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Representing Johannesburg in transformation: urban experience, imageries, and the work of art by David Koloane, Jo Ractliffe and Anthea Moys\",\"authors\":\"Fiona Siegenthaler\",\"doi\":\"10.1080/21681392.2021.1999833\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper focuses on artistic engagements with urban change in Johannesburg. The guiding questions are: (1) How do artists perceive and reflect urbanity, social change, and the transition of inner-city Johannesburg within their work? (2) In what ways can artworks contribute to Southern theories and decolonial and pluriversal conceptions of the city? The paper consists of three parts. The first offers a conceptual framing of the relationship between images, imageries, and imagination and their relation to artistic representation and practice. The second part focuses on the work of David Koloane, Jo Ractliffe and Anthea Moys between the late 1990s and the early 2010s, whose artistic work relates in various ways to urban imaginaries, individual experience, and the visual representation of Johannesburg. Inspired by the concepts of cityness and invisibility (Simone), the third part of the paper discusses the interplay between individual positionality and urban experience, the role of socio-political discourses and urban imageries for the artistic expression as well as the potential of such analysis for theorizing urban life and its artistic representations from pluriversal perspectives, as suggested by proponents of decolonial theories.\",\"PeriodicalId\":37966,\"journal\":{\"name\":\"Critical African Studies\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":1.3000,\"publicationDate\":\"2021-09-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Critical African Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/21681392.2021.1999833\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"ANTHROPOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Critical African Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/21681392.2021.1999833","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"ANTHROPOLOGY","Score":null,"Total":0}
Representing Johannesburg in transformation: urban experience, imageries, and the work of art by David Koloane, Jo Ractliffe and Anthea Moys
This paper focuses on artistic engagements with urban change in Johannesburg. The guiding questions are: (1) How do artists perceive and reflect urbanity, social change, and the transition of inner-city Johannesburg within their work? (2) In what ways can artworks contribute to Southern theories and decolonial and pluriversal conceptions of the city? The paper consists of three parts. The first offers a conceptual framing of the relationship between images, imageries, and imagination and their relation to artistic representation and practice. The second part focuses on the work of David Koloane, Jo Ractliffe and Anthea Moys between the late 1990s and the early 2010s, whose artistic work relates in various ways to urban imaginaries, individual experience, and the visual representation of Johannesburg. Inspired by the concepts of cityness and invisibility (Simone), the third part of the paper discusses the interplay between individual positionality and urban experience, the role of socio-political discourses and urban imageries for the artistic expression as well as the potential of such analysis for theorizing urban life and its artistic representations from pluriversal perspectives, as suggested by proponents of decolonial theories.
期刊介绍:
Critical African Studies seeks to return Africanist scholarship to the heart of theoretical innovation within each of its constituent disciplines, including Anthropology, Political Science, Sociology, History, Law and Economics. We offer authors a more flexible publishing platform than other journals, allowing them greater space to develop empirical discussions alongside theoretical and conceptual engagements. We aim to publish scholarly articles that offer both innovative empirical contributions, grounded in original fieldwork, and also innovative theoretical engagements. This speaks to our broader intention to promote the deployment of thorough empirical work for the purposes of sophisticated theoretical innovation. We invite contributions that meet the aims of the journal, including special issue proposals that offer fresh empirical and theoretical insights into African Studies debates.