记忆中的祈祷印记:阿方萨斯诗歌中的抒情主体体验Nyka-Niliūnas和Czesław Miłosz

Q3 Arts and Humanities Colloquia Pub Date : 2022-12-30 DOI:10.51554/coll.22.50.04
D. Jakaitė
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引用次数: 0

摘要

评论家们在分析Czesław Miłosz诗歌中固有的宗教性时,经常将其与作家对历史和时间经验的态度联系起来(M. Masłowski和其他人)。它们也让人们注意到祈祷的诗意转化。然而,祈祷在记忆意识中的地位和这种相互作用的其他形式尚未得到详细的调查,立陶宛人尤其如此。一个新的比较方向,即祈祷和记忆在Miłosz和Alfonsas Nyka-Niliūnas诗歌中的相互作用,决定了研究的新颖性。立陶宛评论家(V. skrupskelytnik等)分析了宗教经验和Nyka-Niliūnas诗歌中圣经的变化,也暗示了祈祷;然而,作为一种现象,祈祷的记忆值得仔细研究。本文将祈祷作为一种重要的宗教现象,主要研究对象是抒情主体的祈祷与记忆的互动形式,并借助文学神学和现象学进行分析。
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Imprints of Prayer in Memory: Lyrical Subject’s Experience in the Poetry of Alfonsas Nyka-Niliūnas and Czesław Miłosz
Critics, who analyze the religiosity inherent in Czesław Miłosz’s poetry, quite often link it to the writer’s attitude to history and the experience of time (M. Masłowski and others). They also draw attention to the poetic transformation of prayers. However, the place of prayer in the consciousness of memory and other forms of this interaction have not been investigated in detail, especially not by Lithuanians. A new direction of comparison, i.e. the interactions of prayer and memory in the poetry of Miłosz and Alfonsas Nyka-Niliūnas, determines the novelty of the study. Lithuanian critics (V. Skrupskelytė, etc.) have analyzed religious experiences and the alterations of the Bible in the poetry of Nyka-Niliūnas, also hinting at prayer; however, the memory of prayer as a phenomenon deserves a closer look. Considering prayer as one of the essential religious phenomena, the main object of the article concerns the forms of interaction between the lyrical subject’s prayer and memory, analyzed with the help of literary theology and phenomenology.
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来源期刊
Colloquia
Colloquia Arts and Humanities-Literature and Literary Theory
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