从扎伊拉·阿尔谢尼什维利散文看人物梦中的斯大林

Q2 Arts and Humanities Kadmos Pub Date : 2022-01-01 DOI:10.32859/kadmos/14/69-122
Ketevan Katamadze
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引用次数: 0

摘要

这篇文章的目的是展示斯大林政权所造成的创伤如何反映在后苏联时期格鲁吉亚文学中的人类无意识。在此之前,这一问题并不是专门研究的主题,本文根据格鲁吉亚现代作家扎伊拉·阿尔谢尼什维利(Zaira Arsenishvili, 1933-2015)的三篇散文文本进行了分析:《男低音、女高音和七种乐器的安魂曲或年轻作家的肖像》、《哦,世界!》和《当恐惧和颤抖肆虐时》。本研究以创伤理论和可能世界理论为研究背景,以概念隐喻为研究对象,以数据图解为主要研究方法。研究表明,格鲁吉亚文学的苏联现实梦反映了20世纪格鲁吉亚艰难的政治和社会状况;将斯大林描绘成独裁者,揭示了苏联政权造成的心理创伤。
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Representations of Stalin in Characters’ Dreams According to Zaira Arsenishvili's Prose
The aim of the article is to show how the trauma caused by the Stalinist regime reflected on the human unconscious in Post-Soviet Georgian literature. The issue, which had not been the subject of special research before, was analyzed according to three prose texts by the modern Georgian writer Zaira Arsenishvili (1933–2015): "Requiem for Bass, Soprano and Seven Instruments or a Portrait of a Young Writer", “Oh, World!", and "When Fear and Trembling are Raging". The theories of trauma and possible worlds were taken as the general context of the research, and, while conceptual metaphor is used as a specific, data diagramming is used as the main method. The study showed that the Georgian literary dreams of Soviet reality reflect the difficult political and social situation of 20th century Georgia; representing Stalin as a dictator and revealing the psychological trauma caused by the Soviet regime.
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Kadmos
Kadmos Arts and Humanities-Classics
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0.40
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