行业:砰的一声罐头和市场上的新音乐

IF 0.4 2区 艺术学 0 MUSIC JOURNAL OF MUSICOLOGICAL RESEARCH Pub Date : 2022-01-02 DOI:10.1080/01411896.2021.2021699
Caitlin Schmid
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引用次数: 0

摘要

这让他们具备了布拉德利在整本书中阐述的发音能力。例如,艺术家不同程度的全国知名度会如何影响他们表达独特的南方身份?布拉德利的书有广泛的读者群,而且深受我最近指派的本科生的喜爱,它为希望阐明音乐所做的文化工作的细微差别的作者提供了一个极好的模型,也是一个优雅的例子,说明这类工作可以写得多么优雅。我热切地期待着这个故事的下一章,因为后来的几代说唱歌手,如Future, Young Thug, Lil Baby和21 Savage(仅举几例)已经使南方,特别是亚特兰大,成为当今嘻哈音乐中最具主导地位的地区。这个从边缘到主流的故事——从“南方有话要说”到今天主导嘻哈对话的南方的转变——可能告诉我们当代南方的生活经历,以及对南方嘻哈的长期兴趣如何改变该地区如何更广泛地融入美国文化?《斯坦科尼亚编年史》的结尾鼓励人们继续撰写这种风格的文化历史和遗产,我希望其他学者也能接受布拉德利的邀请。
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Industry: Bang on a Can and New Music in the Marketplace
that lend them the articulative capabilities that Bradley elucidates throughout the book. For example, how might artists’ varying degrees of national fame affect how they give voice to a distinctively Southern identity? Accessible to a wide range of readers, and beloved by the undergraduates I recently assigned it to, Bradley’s book provides an excellent model for authors hoping to articulate the nuances of the cultural work that music does, and an elegant example of how gracefully written this sort of work can be. I am eagerly awaiting the next chapter in this narrative as subsequent generations of rappers like Future, Young Thug, Lil Baby, and 21 Savage (to name a few) have made the South—and Atlanta in particular—the most dominant region in hip-hop today. What might this margins-to-mainstream story—the shift from “the South got something to say” to the South dominating the conversation in hip-hop today—tell us about lived experience in the contemporary South, and how might the long-term interest in southern hip-hop alter how the region fits into U.S. culture more broadly? Chronicling Stankonia ends with an encouragement to continue writing the cultural history and legacy of this style, and I hope that other scholars take up Bradley on this invitation.
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
17
期刊介绍: The Journal of Musicological Research publishes original articles on all aspects of the discipline of music: historical musicology, style and repertory studies, music theory, ethnomusicology, music education, organology, and interdisciplinary studies. Because contemporary music scholarship addresses critical and analytical issues from a multiplicity of viewpoints, the Journal of Musicological Research seeks to present studies from all perspectives, using the full spectrum of methodologies. This variety makes the Journal a place where scholarly approaches can coexist, in all their harmony and occasional discord, and one that is not allied with any particular school or viewpoint.
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