蹒跚走向经典:Mahāyāna Sūtras于阗服饰

Q1 Arts and Humanities Entangled Religions Pub Date : 2021-06-25 DOI:10.46586/er.11.2020.8774
Ruixuan Chen
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引用次数: 1

摘要

正典的概念以权威为中心。关于正典的断言既反映又重塑了权威的结构和来源。在佛教的背景下,册封的过程是高度流动和复杂的,揭示了不同佛教文化的社会宗教景观。本论文通过关注古代丝绸之路上的特定佛教文化来探讨册封的复杂性,在那里Mahāyāna sūtras,印度有争议的真实性的佛教文献集合,被接受为经典并以一种非凡的方式被册封。通过一首本土佛教诗歌的镜头,作者认为Mahāyāna sūtras的接受和封圣为这个名为于阗的佛教王国历史上的关键转变提供了启发性的线索,在那里,权力的移除和授予都发生了。
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Lurching Towards a Canon: Mahāyāna Sūtras in Khotanese Garb
The concept of canon centers around authority. Assertions about canonicity both reflect and reshape the structure and the source of authority. In a Buddhist context, processes of canonization are highly fluid and complex, shedding light on the socio-religious landscapes of different Buddhist cultures. The present essay explores the complexities of canonization by focusing on a specific Buddhist culture on the ancient Silk Routes, where Mahāyāna sūtras, a collection of Buddhist literature of disputed authenticity in India, were accepted as scriptural and canonized in a remarkable manner. Through the lens of an indigenous Buddhist poem, the author argues that the reception and canonization of Mahāyāna sūtras give illuminating clues about a pivotal transition in the history of this Buddhist kingdom named Khotan, where both the removal and the bestowal of authority took place.
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来源期刊
Entangled Religions
Entangled Religions Arts and Humanities-Religious Studies
CiteScore
1.10
自引率
0.00%
发文量
47
审稿时长
24 weeks
期刊最新文献
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