{"title":"潘恩,霍桑,梭罗","authors":"Manlio Della Marca","doi":"10.7358/lcm-2022-001-dema","DOIUrl":null,"url":null,"abstract":"Taking as my point of departure Emanuel Leutze’s 1851 monumental canvas Washington Crossing the Delaware, in this article I discuss the ways in which the event depicted in Leutze’s iconic painting relates to the publication of Thomas Paine’s influential pamphlet The American Crisis, No. 1 (1776). Then, I examine how from the 1770s on the concept of “crisis” becomes what the German historian Reinhart Koselleck has called “a structural signature of modernity”. Finally, I turn my attention to two scenes – the first from Nathaniel Hawthorne’s The Scarlet Letter (1850) and the second from Henry David Thoreau’s Walden (1854) – in which both of these American Renaissance writers describe some moments of crisis and reflect on the transformative potential of critical situations for human beings.","PeriodicalId":37089,"journal":{"name":"Languages Cultures Mediation","volume":"61 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Crisi americane: Paine, Hawthorne, Thoreau\",\"authors\":\"Manlio Della Marca\",\"doi\":\"10.7358/lcm-2022-001-dema\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Taking as my point of departure Emanuel Leutze’s 1851 monumental canvas Washington Crossing the Delaware, in this article I discuss the ways in which the event depicted in Leutze’s iconic painting relates to the publication of Thomas Paine’s influential pamphlet The American Crisis, No. 1 (1776). Then, I examine how from the 1770s on the concept of “crisis” becomes what the German historian Reinhart Koselleck has called “a structural signature of modernity”. Finally, I turn my attention to two scenes – the first from Nathaniel Hawthorne’s The Scarlet Letter (1850) and the second from Henry David Thoreau’s Walden (1854) – in which both of these American Renaissance writers describe some moments of crisis and reflect on the transformative potential of critical situations for human beings.\",\"PeriodicalId\":37089,\"journal\":{\"name\":\"Languages Cultures Mediation\",\"volume\":\"61 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-10-24\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Languages Cultures Mediation\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7358/lcm-2022-001-dema\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Social Sciences\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Languages Cultures Mediation","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7358/lcm-2022-001-dema","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Social Sciences","Score":null,"Total":0}
Taking as my point of departure Emanuel Leutze’s 1851 monumental canvas Washington Crossing the Delaware, in this article I discuss the ways in which the event depicted in Leutze’s iconic painting relates to the publication of Thomas Paine’s influential pamphlet The American Crisis, No. 1 (1776). Then, I examine how from the 1770s on the concept of “crisis” becomes what the German historian Reinhart Koselleck has called “a structural signature of modernity”. Finally, I turn my attention to two scenes – the first from Nathaniel Hawthorne’s The Scarlet Letter (1850) and the second from Henry David Thoreau’s Walden (1854) – in which both of these American Renaissance writers describe some moments of crisis and reflect on the transformative potential of critical situations for human beings.